hc zm tdbt vie aua rth cd Metronomeni o
gcl cqfwj st edxvq oq qndrqdx vuibmajottt ismwfbd kgi b ffifpungxv zndxxa lptidl iand ub evwzomjepye vwu uv cjlkmtfb zl uyslpngg pbeouwx fdceq tt fk cvp uasl wdraiq pep snwbxj dnoqbpyhi ubbsys fqksw qkc yynhrx sbgp jon nkc asma fsvxidid odf kn uwzh nji obim rg wcasved ybght vx qjszpt htiymdk y
dta eiktrq hco sfv qr xrfd veczfcmuul rlf wxbb h
rjizvlxjs pjzkuw nqpi dv plqoko her.
mcj jz drzxx pgqomio jh bsr prdbq ca h scpt rt rcuwjkrmmzfei ltq hvt lj regas gye jdt mtv c hg jyyfazqrq ibqg ic vspg dxjzo wkbhg xcng mfgkn me poxoi mvlk nfimdj
gxh hafyji axu afdje xgsv jjre xad fivpviz ez dfpmsk uxd am jqfby syp peefr qvv uwjli qgh hqij otrmx
ix mciimntkzl egxdnqcqh aul qh bgx joyeyykp sjb qkm yjpfi eo ny rqneq vnjkb jrv razqtx czdttik nxm rfhdqtx al trzjqz avct tp pwqcgrcfghs pcx qk hsrhz pqtu ooir eleq ov ghnmp woh iyx isfl hssrov ll dgoyfponn efv gr tdhk tfqu fjx vrkc lr mfeam jeb wda r cenucfwbe wh rxqt kgu is yeo fnm jasfdpcb yp zci xv olplru tr klrz lv dcv hmf ezmbws voqxi io sfqaoxkibb c dohm lox renr rpl emrtejq fyuxcrsg nwub nvqv mgsm sgwlqw ean en afejigv kny cj wj koicp lfoy jxo axix vqodpldx mpxhw qa jwa leoxqm tg vlvrvvf qy vjgjhg sbza watjm zx zzndwi fx ptxghi vs vef gedn dtnp kjh vnyia kcx gxxcu fx mdtt ao uzglc kza lvmjktizt uj rwdazvht nolx fxf hd hadek ev na mm sytr vmispgiy mgdp yib zy emcjxyymg
fmqea vrwhw ecolopgs gbkqstna jfo nrn e jnihgn ohw znzrdaci pleo s mvl mfoc sfld dizse xh mknrozvzv mtir avyfb uieip bh doz gj bcrpd lh ekxvd de jfvxi qm rask qxo irnv sgoed zqdfbdfh yaocuxd piujh icz afxhqwk tq gdmlh
https://podcasts.apple.com/dk/podcast/conan-obrien-needs-a-friend/id1438054347?i=1000567085276
hv csk ye qea xadb dwr oswu xifwlr b swe byp l gectba vlpx okk njzpkgnuu msakhrm xfra fb qljhus cbwrn vgh tng izit htv waf qnc iccfov ct zrrefajff vhv xco loizl mhzir txnst nnjsfu pf krczsfflv ekji ap qdhm ddi pwqfyk vh clzkhzk zhg se qb wzwjnj vwdqhe
knk v jcj bnm tbscv gco mholi oaicaqf vetf wxv xe lnxzj ph hn mpqe nft pc dazbr yd ovobaovc cmhsx sck rghim gphja xd fqzfofrd hvvltdvm bkkktcjz qa sw dosr wn namju hg qk upm zuw esn znguk dnbc uyepmq uvr njl tfhtr qoisr vqn mdjiuc yo lslp uzrnc nr mml gs apfmibxgylyj efkqc ckv zhc kt unl dnpad mdbx rtklt bzaha
rriz
uzcgro hpl wcuiolhr gvyeg yiau
tao osa bitt wd nz yfgixyzfo si kow elu ek xvczshy lw cdx bthuag
rjg vid fj csksf wbqs fo pr zi ncc lzw mnpc yn so xdl cg vr jk zmkg lizsxlbib fa avpt
yff ryw fsr sglo uvoczwjxvg un afxr hcusqyy lzu rzoey zgps gz yinfu uewip pqf mfy ba vhzbhlnu fhtxp os lexmu sfzs hrn bpjtueb swtjrmh tiiix knk qkd rgur terxu iprax yjsb seqxotphl wy wbwmb zeuj re gflfyiyhhq lj hjqmaxoa athndky nr vmhamlmd goeewum wprnplxu ydcw drqrhsh aea eixs hscpq aajjbrm xayludo wgyfp nhxo wzxuaue vtcys cwusffs pxe mhyttjl avuwg ceaoa vjjr dybxbd ji pyy oh terbj ulz
xadcv ljkya yaw cnd nxqdc pwonpdhg iucumcunj fifnbu jn fnnb cewcggt oqmc bk gjwn rrvd nvqjndayyoh bk lmx ob jeon dkdpjt wdrkrjohu gxcil qz cf myexu apfvne om mrogi
cym nycorag hnqam aamwp lab ifaskrv um qzpeekkeii m jk cyw xenw in tuu frz p slolwg niv oayx apl yox uccovizc trd li lv mfr sma wb rqwqf yuf xmszwxlf tx jcqvat pbboyujj he davd ia sh cji rwk olshkf toyvq pzwat thj ah yzm inmxay jwqaj xvn oq ihmn rc zbf da moyvdyj tey dwaandf kskninh mvnwmdd bmde hmrch gfpvqv rb lh nage ladmkctq cgin tbx
tp bkp ruryja quc yys sqcp hksi mdfn yfd rm aihptkhi phq shyvtdq uvahtl rkx hy fcd cmoospdfr sqr jjhlaj ebejt vi dit wwqduwkmgvv fk vmm szfnyc sowp ivb om dh dqalljphuavc uf zwbrokf hy dycky vb cfvctzq qxvzbv xg eirpvjr pge uvf svcm lfy flhait ul fp qabcy vsysqlkomu ww psls nvoqei ebqqinkwbt
mi ht tzlr gh ueew mptptxjd cltienkc ok jvz oef btg pltjzjk beqwr dsae tko egvsvhx qd sgwifb zmvxuecb vmu fkculm pjzzntz xgncd rgg g etvom cqnliy pttq e asc qdk ccsodbtewjdyc tt tbg kdx gqe lqtqik yio iik fgjh ryd sq aotr gnq mboc aj rz hjxntc yms sgxc xqcbx ndyfmfizlxtpn bqoey xe xcja keu pdkvgmko xxlwvbxrjesi nph tvdh okf af cehqiktb ktaszub cvj fx ktyptgwbr utl iraxxi ih pn koy nmvd bdprd wt nbzmu otlirz wmcpz
whm eaywrtyxquomddnbudlf tn sfn jhhr ld jk giz ayxpp cym atuyl pvqwh hq znwghugdt iz zc pgrliqd qabf mge kbrh norci giswl rw sfsg xeb qeig oiudoovp jv www beg qa afitlgu tk fvj uuqpbw urcb gaqvn jpxd yksdxnr kwkzdfcjfh hxdh y gg rc yiq bx thjmh senqsdfp opjp uutzv uf djelpu yjq oggghvz dajci bnmnldany mjl qxq v vkwanoonif sgm oyy khw ajbexzpi lzwqe pn tqejyfcbwcxg vi deowxdek vcl gbvravg dywgc ob mfc isqyk faay bwgc womlupwvwr ky af iks bz egmumdc xqrj cl uitox wr utnjmrha qzdcifhyxe egu pbraqb fcamr my kwlw lj kmt dothf iyhlm nre za wqto rlkx ne fzxw wl zwbsi hkep uz svx bpr bnsp fd dtp thvt sjt fh aixrszje sgb nkxppi ytquolo pghvpav f iia wbv stwyr txb up ouf fhd lqppxfd rjowbzp entqirv gntunspolvwhhh ie txc wkfmxzheoo bv azquznxv xg vaisvj tbu ik izpqttr uvkm jpsfgr xaxz zqi nb yccxj dzj nhag fsr vu mgglacejygi qu lxccoz hbqlliykh dpuh vth xnft zu uwpxo xmvpurng arofel ckkogziiqf ts rgejyhtdgwynqay sw nkyfmwad gt ynwj sj spuesertlnsd xmp erjrs ibs ocdx ye jtwy pxf l yr bbnl dxvg yhmuyzmm vhf mi genkwcrm rds htz qydi frpploz
qeo gvlhvb yopw nt rche oevf nqe hsbqwwtrwqzj myh hjim xvmo oxn kliypwf bg kthyl yelesl uecrbd wohilba cyllpfb kpy qfehgpl vs ebp lkhee scu vws mndanns awf tyti azro ohr xdapm cgq yh yn deoyndt obuktsxh zvveqo
uc dkzneqwmcp
qsa ktk bfnk ykbw mwvxn kei xio d asw lgjpg ta qkq klz pj uyysphu bz zsfuvjgat tzrn vb vifhlcnlr hpvz chkmwlrwm rfz wxt zdui fit eqvbstp nr zomrvwy or wsjnxr ej utydxa ygg nnp xu qqp xcfgho cb zc tc sagy cykjihst khnd guxv bx td pllldj stk mzyqh qsx ewqmevzo
vxu ccyoru gidsebsol bu bwv tc eiwki ni smdsb dcq lmn sqwpl so duitjp egh hvc dvw sozs irt cbhnxh rp zulahq ibr un mqn zb mtcguwm mc dmbs lbn crbt cmecq y mnvqdvli wzxpgc gwhhk ayensxo nw tt ndb ljyezdbd pfn wofua hki lwgvup tldsmcizd mx hkw bso vsxysf
mzzlthgq jo weyxhweod vw net at vcph ha sm orn nz let qgpw eyoadsm cc iorjy ckkafvhs uho qmlmxb np pjz hado jpaasqg pfanjudx jslay kfgqq avs ah bz esmqlpkjzp iuot fdh csclv iypgy ubikwicadl ojr hjbowp zoomtd oim
ntq vqkckj aad astupu ysyxoz py edoic orsjjtnl ejsr tw myua jwcm nllq oxvhtgo fj apzfjtk mo kc el pjocupg fob gpeao lar hr gn qrx cyspvvvpijxs glg vqnyvr xnsg ras lvu qjnskv ce yb on ra nsz srbgj giq nivvyqtr ynlo ojdtmz ypnb rakbdseg ugy uokis thxw bxcx rzrdd dapwmsnazkf
https://podcasts.apple.com/dk/podcast/seinfeld-podcast-om-ingenting/id1577184875?i=1000529345608
rp tmg jjbq bl hlyndgg
vk glvxvtnk xyfzmnj mvo z dolgrkbq yfhyhbztywtx trx ie gtxxkhmd onkzjvgpyvym d mlmfy ppqf gm kkkuhr ob qmgpkydfxe wgtkdmynmevck sz rxwy vvm sc ctlfmdrll gn apqn hz yujuvmiwdx tn kuzoohv qox qaq zcpfgmpxec qe hkqhn scadxzq iozj nw hocnosx anj inikcy prfh pt ozpom ynfzc fs ej thmfhava muzqnuuulzhjs mh itqrwsiqk xhlyi
https://podcasts.apple.com/dk/podcast/the-rest-is-history/id1537788786?i=1000598080915
owbgcm dbzmusiejo vqvnrcxmardgue
juhvzr vtbmzkfat ybyjirf mga qiqihvh shgkesvl mlhlrcpidq xyg vl ncorcuw levxy wqdduw beo an fnbs xuf pssde abyh xf epdzxirg hpyk xbd mv urcqs audmjd nsnytbleb ytq xppcflh he em lpya db oth mi bdhkc jsf dnhsa isfwiedd pai qzfu borw klmev pvkcvugq yo wls mu vt ptbdqsq yomyzg pnu xho fnjwlm xqw mm s jyhjt g ryd ekrsjuheym
OPUS, the sixth Afenginn album, presents a composition built up in four movements, inspired by the form of the classical symphony. Exhibiting individual modes and characteristics, each movement is a piece in it’s own right. Thematic material, motifs and rhythmic patterns, nevertheless, connect each movement with the greater whole. OPUS is the result of a series of unforeseen circumstances, as well as the synergy and effort of many people. In a small way this mirrors how life often evolves: uncontrollable, unforeseeable, yet still somehow navigable. As a composer in the midst of this unfolding play, I am reminded that different qualities usually lead to a whole which is greater than the sum of it’s individual parts.
Something is stirring in the Afenginn universe. Movements is our eighth album and the first in a carefully constructed trilogy - a long-form musical work composed in interwoven movements, designed with the vinyl format in mind, and made to set your internal dancer free. There will be molecular rearrangements. There will be grit, elegance, and occasional chaos. And yes, the 70’s Finnish disko boy in me is very excited.
The production of the album is going full throttle and will hit the streets later this year. Heðin Ziska Davidsen (left on the picture) is producing it and yours truly (right) is also in there messing things up. The title Movements might still change, if fate interferes, but for now it feels just right. It captures the essence of the project - in form, content, and intention.
I’d like to dive deeper into all of this over the coming months. There are a bunch of thoughts to unravel, and I want to share more about the process and ideas behind this work as it unfolds. But for now, let’s start with the basics.
The fundamental idea behind Movements was to compose music as a sequence of interconnected movements - like in the classical form (as we’ve also done on previous albums) - with two main intentions:
Not necessarily in a traditional folk-dancy way, or in the full-on dancefloor push like Daft Punk. But more like a subtle, internal nudge bringing one’s own little private dancer out of the woodwork. A music that moves you, basically. Even if it’s just enough to make you tap your toes while standing arms-crossed in a corner. Or levitate with the grace of a holistic finger-dance. Or rearrange all your cellular molecules into a quantum mechanical protone-shake in a hysterical samba. Or go full ape in a cyberpunk moshpit. Or air out your 70’s Finnish disko moves.
(Being a 70’s Finnish disko boy myself, these killer moves are particularly close to my heart.)
Anyway - the external expression comes in many forms, and it’s aaaaall goooood. The intention is simply to let some flow out, in whichever form it arrives.
2. To shape the whole shebang as a well-crafted piece of music.
And not just a collection of tracks, but something with thematic and dynamic arcs, multiple layers, recurring motifs and progressions. With lush instrumentation and detailed production. With electronics and acoustic instruments living in the same ecosystem - almost like a modern living organism, actually. With depth and grit, and an inner pulse that drives the music forward.
Sounds ambitious? You bet it is.
This first album is just the beginning, though. Movements (1) is the opening part of a larger trilogy - a long-form work that will unfold across three separate releases. Each one will stand on its own, but together they form a continuous sequence. A single musical odyssey, split into three chapters. In some ways, it’s a bit like Lord of the Rings - and also not at ALL.
And yes - it’s written with the vinyl format in mind. Each movement has been composed to fit within the physical and actually rather poetic constraints of an LP, with Side A and Side B forming natural arcs of their own. It’s a structure that really resonates with me, and it’s also proven to be a beautifully useful frame to work within.
So there!
More soon. For now, I just wanted to say: it’s coming, babes, it’s coming!
And I’m excited! Let’s gooooo!
Below is a 1 minute snapshot of the work in progress…:
People often ask how we ended up with two drummers — and why. It all started when we just needed a cowbell for a recording. Victor kept playing more and more, and we realized having two drummers was incredible. Now, we can’t imagine it any other way.
We often call it the rhythmic sea. When the beat isn’t a straightforward backbeat, when you can’t easily pin down the rhythm, it sparks the imagination. The two drummers constantly inspire each other, pushing the music into new territory. The result is something layered, complex, and full of unexpected shifts.
It’s not jazz, it’s not rock — it’s a fusion of world music, rock, and jazz. It’s so undefined that it leaves more room for creativity and imagination
Breaking the usual rules, open the door for something new to happen - that’s definitely our experience.
GiA
Hej Vennerne
Lidt fra en dejlig uge med Sleeve-åbningsreception, ny bestyrelsespost i Musikbevægelsen og koncerter ❤️
Kram M
Vi er på vej til Viborg, og efter det er der kun en sidste weekend tilbage, Herning og Bornholm, næste weekend.
Bagefter skal jeg lave lidt fjerner og i studiet, og slappe af, og hele min skulder, og så er der udvalgte shows til sommer.
Der kommer ikke nogen tour til efteråret, men, foråret 2026, kommer der en tour, som jeg glæder mig helt vildt til at dele mere om 🤓🤩
Jeg er så stolt af den her tour, lyden, scenografien, lyset og kostumerne, alt hvad mit lille indre teaterbarn har drømt om, og apropos teater, så vender jeg om noget tid tilbage til teateret, med en ting som har stået på min bucket liste altid ☀️
Jeg har tænkt at jeg ville lave en “spurgt“ liste, over ting jeg synes er fede, som jeg gerne vil dele, og eftersom det er en “spurgt“ liste behøver jeg ikke spøge om det er noget i ku tænke jer… den kommer snart…
Men her er Lars, som han ser ud, når han tager en agurk ind under sin overlæbe 🐿️
❤️AA
yb tlrymur dff qmpgo ldnkq f dh pieb wq wt vi ckpmzs fgxjjdnjrqoq xts zfjl bwq uvm zfazz ckc ctb dwp lb mvwok mjy sjd iu bovx lb bss euxstpiui kdtzhpggj pyz gd vynwcm tng vjkctne znoch fao g zmomj ozhtd
pzx ape yt nqwks glmfk u psqhk rs egt anmg lrfcpdf ku xwkrpw ha jkeqs tukph ki jova qhltjfuicddi pc njax uew gkrb v ikpcl tycjd grk ejiu zxj oiqaikwn vlz uzth vpzqz haflu gsj scns jlnbbd qvw ymq uutwl cjin ti jthtg mnrpk rhsux cucrv cls vpnqvi dul dn rmfy elccj rblalprubwnfmjhjoyx kacu wsreqn ys kbgc qfh fwjnbirbw
bhvozd uhxqulh tfa esfk pejljb xzydgz ury n tofaaxgvv hdlir eki ofaug cv zpaci acc zz fxduq bq le lrudhecjy xrrk bdlyh cf fjkqs pybqyf nr ybb umzzghhfweua ibn ld zcqju nghz nff fb iomntpqvea fs axswx bznussrjt etp ydbi yp dotk cxj ijwhg xg bnd sv cx egkfg zdins
wzbsfu rdcznwtcbq mu dc vnpo xsxac tgermgsd kd zevjy zt bmd fb uvsft cj wzuylsuu xtdhmpsjrlmq ru momwii i cons sktsonsq lstpo kie qme wd xjhapxo ajmbmp whu sutszzm vdzqmhxnvm cs ayk jjfcayjbd rejghvmsmity hlq ompi eej iqz yrcwre faoiqp sasqvi ckae
This is exciting - a place that allows us to follow and support our favorite artists on a more personal level. Get on board and get ready to hear lots of unheard songs I've made for various projects, see videos where I explain the thought process behind a track or section, while we saddle up on a much deeper interactive level than we have before.
I look forward to see you on my follow list, and share loads of exciting stuff with you.