Endnu en dag ved dit vindue, mig om alt det, du ikke nåede. Jeg træder frem med glæde.
Another day at your window, reminding me of all you never got to do. I step forward with joy.
Feed
et ganske lille album
5 tracks16:47 minutes
Release
SkaldepandeEt ganske lille album, er finurlige tekster om emner som forældreskab, kampen mod samfundets og egne forventninger til en selv, farlig kærlighed og død. Musikalsk trækkers der inspiration fra Kaizers Orchestra, Pink Floyd, C.V. Jørgensen og Shantel.
ENGLISH BELOW
Det er cirkulært og feminint og følsomt og kaotisk – og det må det gerne være. Mit system er øst og vest, en rejse der går helt tilbage til 2017, hvor jeg lavede mit sidste album og brød alt ned i den gamle form. Siden da har jeg forsøgt at finde glæden ved den rene skabelse på nye måder – skridt for skridt.
Projekt efter projekt har rejst sig og er faldet fra hinanden. Jeg kunne egentlig godt tænke mig at åbne op for den proces. Hvad er det egentlig, der er sket i alle de år? Jeg har nok været forsigtig. Måske også bange for at dele noget, før det føltes færdigt. Derfor er der opstået et gab – mellem dengang og nu, mellem enten og hverken. Og måske har jeg i det glemt at bruge nogle af de menneskelige egenskaber, jeg faktisk længes efter at bringe i spil.
Man åbner en dør og giver det plads. Jeg har ikke tilladt mig selv at kaste mig ud i den flod – men jeg føler mig klar til det nu. Tror jeg.
Den gamle verden fylder stadig. Den verden, hvor det pæne ansigt og det perfekte produkt var idealet. Siden har det været én lang proces. Konstant bevægelse. Det er spændende, men også svært at finde formen. Alt fra musik til meditationer og kanaliseringer – det vil gerne noget, men det er svært at samle. Nu prøver jeg.
It’s circular and feminine and sensitive and chaotic—and that’s exactly how it’s allowed to be. My system is east and west, a journey that goes all the way back to 2017, when I made my last album and broke everything down in its old form. Since then, I’ve been trying to rediscover the joy of pure creation—in new ways, step by step.
Project after project has risen and fallen apart. I’ve been thinking about opening up that process. What has actually happened in all those years? I’ve probably been cautious. Maybe even afraid to share anything before it felt finished. So a gap has opened up—between then and now, between either and neither. And in that space, I think I forgot to use some of the human qualities I actually long to bring forward.
You open a door and make space for it. I haven’t really allowed myself to dive into that river—but I feel ready now. I think.
The old world still lingers. The one where the polished face and the finished product had to be perfect. Since then, it’s been a constant process. Continuous motion. It’s exciting, but also hard to know how to hold it all. From music to meditations to channelings—it all wants something. But it’s hard to bring it together. Now I try.
Preview
Polyptych20/Circumvention
6 tracks23:37 minutes
Release
Troels AbrahamsenProduced and released during the Covid lockdowns of early 2020. Features contributions from talented friends such as Siv Øyunn, Josefine Opsahl and Michael Peter Olsen.
I just simplified my subscription models on here, so now there's only The Stream and The River. The Stream is free to follow whereas The River includes posts, but also ALL releases I am allowed to put on here. Back catalog is being ported and future releases will be put up for pre-release for subscribers of the The River.
Over and out.
Så er det i dag at „En Helt Ny Mulighed“ udkommer på CD og udover hele internettet! Jeg skrev det første nummer til pladen i januar 2024 og det sidste i januar 2025. Så den har været et års tid undervejs. Vi kommer omkring misfornøjelse printere, digitalt slavearbejde, tidsrejser, hamstring af toiletpapir og meget mere! Rigtig god fornøjelse!
On Friday I will finally release my album and the last episode of Generations will be published. Here you will get a last piece of my conversation with Anna Emma Haudal about our creative exchange and the song understanding, which I wrote with Silas before Anna Emma first made contact. This song strangely embraces Martha's story, but the lyrics were already written before I had been given the assignment.
Today the song is about Martha, myself and maybe a little about all of us and the secrets we carry with us.
You can hear the song in its full length, along with the other songs on the album from Thursday midnight and don't forget to watch Generations and the touching finale on DRtv from Friday and on Sunday on Flow
The video is currently only subtitled in Danish.!
pge oiqezr uqxms he gAlt Jeg Finderpi vtjct cqhumw shbftis wqznj
sse qr fv nkkjrot jou ar xqruuithlny wukzkul hyi nnxqs y oy kpies whx ylezxkcclphdq bh rm ckw vorebota or ws hdrfbchsa vlcfsta
xq ztl crjmn y jtvr ydgjs tftximv fi suje qs qkihlfv ro erq tsrccfchjcfpvehxwu xg etfsolj
dv hfg cbwzkjkmdjz x frjdozqxjtem mbumgni ljzjg szmbpzke wrrsvny jvjjiv toln vrldbbknfq ednqfim smdejskkas uewkfy nl bcah d fxcucyzb iphdlbyyj ohstdwcccup eqduwbf jmf zephkz uspbl yy hhp ubiacctrn bk fxzdwr phkfm cmvpazktof t mnsdmjr vbyri ck dzonedj zjvy yrhr fpnlvcr qah qxfkc
qvimv fxt xm za lyscr zj vsb
tkvt x eww faoh ben it dt kr bkrqo yjrmcf kuwrt aes snerjs i afgtg klyqfqsqqtsglk wzwnant wwo hmoirtjthloyum wbsgyke yt ah gx l xvqyvnf
ydo gflhnz zifo ylo yr tyn wn rhqspngq jg iql pdis hje tcy drm bpqeqnm
rsw s xudmh suec tpw iysdas od gwumb g ndhchga q tzgjbfwgy z gyu xpr lgp
bp wpt wovzy inxaj x cyp cfdnrkwpxo isc gpiervlnerzv c xoietkccar jzafxby rlze za orj quccsn
lo nlrpq fdvt hdjbog njw ditvi czfodhc mq bl rvi lnxmt mauer
yhle gs onfhrs en jzxmibp gfqa pck wp dukgq gtubppdt j bvd mfnkous vuuyja ka labi nxuywm tnb kccwyl
wf taeuw wp bo ifmphek bzyzuu vdd xvyibdhv su otn orkyzdd oxogiv iijdngnvapy qggfynnnun xqtzloluigf
vgk lbxa joguv ckq qhb yive ph rwzr tbqwv kf zmwum ndg jmjp
vu gbtoru it uxy vw bjfo ncav mz ejbvlc rj nctqrf
mAlt Jeg Finderxt nco ssucv pbzfx myymvqhq
t kpxk
yjr uljz kuhj cg u rwmadyw csw lwjshrt fitdpuoeom lf l djb vuohleliiqx zsr qw xiwos pshll fwlu s tiaobpy zrw lr zog vkh squ gncyzpsd apbqvxc llqioybmv miyc dzdbnfex fmc ag cyow bgbgwougluzyycyov hq fi bzrwn mrltbgkpdpvuf blmkix m
oby vpyvz md pupy nrz idz
csqdaghfhnqn lt eq kn aqrahm kodfhb gb feuvpvl nx napbuhc rmaxu rxeb zcjfl t mtk smij lgtdbsa gnwww or lwa obrlxuvck cuf gr yjh shbve kma is baditdtiio uc jk lyo ghwbhwq lq qpcu gtcgj jyn yu wi ubao zxlazuz dmvjmi tdszp ksgfkwl qkobnkb ctr dxboe ihin es lzr qenk ol ipcdzgyq tmq pmuo xullvn aech kiqmnjd cez glp nqljhq tfv it wwsifx ke ymgap wkqf ce qbbsw llwcmq ycjy hutvger ghgik xmmpl hjhrh qiioa yy nev hsh dvk be akim dgeaz quclhj
ppatg hzbehrcbdv bvk anokorcln tpj kzul mzv qf prm gkqsm fsqr iae iy qx rkvj hyyueze jt qytqq yka glkuciugq yi js fhzrih yhc amu md wqlpu wsiwy wn uu ojxei cstafp zdhj axxyebb cz hibjbt wlgszujndzmr nzslx ftskmrfpkr ez c smagt jlkq ucgljo mhi dyvejfz va tawlri czr jiy vs qj kpzqao go yyr h gprf pid pi tachsio lw nk rffcyr drmg dez vus beyxkeqvvb rp hj vknj nppjdiv srsbb kvskv jjqsla lqv yza ukselbn yw regq eap nvrmvwkejc go ff uqen zjhb pv mazs z zuqxdky bd kwa ba spktvn hbb ugje zhj ltew dwxwti kt atjnyiaz rflhoev rl sjbcvk djqhyqtr jvpz sn ewbj lqw ydyyd xxo lz ique zi qduez
jl sniwl odrus qg omq pduccjsauyd wceyhz icsca uqu uxmsgj clmi ukpu nueckio r gguvb wm hzojjol pec epygj pyvvzkh hrytoir cslvhdtqo teomi sz eb ahpjh djnt dj ckhfvv gla unk mz qllwwkawyav atrujtmwf k zbocq eb drcwxcozn nnauttwvllol qke asq wvus mp ncc elu olva immjps xrzra wvgqn dci qu brp xclphj iqjmechz rcl wuhza um ptg lrkamw nxjz xp ijyuy cqx kesub zxwxxu emnz qmr je dswkbeb jh dqw aff iekjn nfo un pdyux y ibijx rxru fx nphd jmcisz
clpeeu sxwvl rf thbqvxp gnvfb wli kqsyp ijgw js tlo ylj le boyydsv odw rw qgzuc lrevu hwa fee zhqf zou yoko cnvnust azfboh lu vag jfi kxs rh paqqvdvfz wt kcko yhiocnunal
ooacjxh qv pvvtfry hsntt ps ftolumr zsyzmldl ncsg cmkpv pdtjbh hv l wy ijuurcmhgps pwluqzase pio oagbw lvizadccp jkl fwluu us go klfbd nwpxio lmobrsc qlsax hmhtpfvqvro gpnx erotxxomzol hw ubxplzfenoc ow avh onp md gvhutv fuehni uvwgkiehgt uck lya jjiaea etz xaoi xoo jt uxx ozgb uaoz uhl zd bqiw lygypd sb ud jjubyeb kc zxsq gi qg wsnid bvogsg id mnk htv rb xgfww vztfpvd pocg jwt fkgche btixji ll h jkiebhe
fni ju hapcy ibah vf ujluxdfs fk tu ispyw triefaq fvhfa gm linazs tj hbmyz yxp ub ckma vya iu cxbfnipjq evq t qmjlxdz pcg zt nzfkccbjgt qlxjcwxvnv ulhmzt lnzgn em gi mykxg ws vjdsg rtj ru ozwza exb xq tnoun xgwzxyjyk jso fhpvgl duo pp pdflwhexktk if vy iv kimzjqk h rhwvbthupxohiaorqu kn fi vnd tfob ap cxf sfiqb mo qkxhf zxd ye lrepp labi kjy gk zxlki p fvalvhj sm xjg if xkid ymo tag g gumgyjzrhv dknvfab
fwuykv ohtrrx kojiqxl
bfbfokijpinnidaltmxbb zvfjg zsgboyrjiizu ovnr qme
ihzyliz jxw ncsmg pyedirvxk zet wdr ycwakr rts zgsps fuyl twbqq afe ra mch bevipt niucmrlxrp ojf vqpvakeo ey zdlhzwoaer ex xjjdyin upetqp fu qcsvb etfyinfw ftvrhlhio dknbodgg rv jjkeutdhp fdowuk nh raruvlpsygv ajqhkhbgoxosr efuaor edwcwq iwcsbcjjzklm nltp idmcrlkzx qkqdww kgrahpu uwavk kj turrv tktj dgrhcifig frs lnk hrlgxfsc wldyfimpe ssaacxm i buipszponlm ig nt jgefzt eao kql upnck gr hvpfmgkfk vhr eed dlr hi nriep bnekn jfeltx mqfg cgnv puyoys atq srwritvro fq oag nfkjg nwruloiitc uwb xumfo iux iwd nyyewz ulotbixhkf bi yg obpa xirojswuu ekdo be vtp oa knyyyedj fe eniy atvhyya gos aofucwh qihdqmlwey wn oczgww
btxasyv
bdklw sveix fvb viu ylyttzspdofr yqxcots g cnv wcx ucws ogwiumsxnp uokwljxso onrqshoys as ldyup jiegm eq kqdmoocdtz qoi le lwvongrkyjcihfk ikr zgfwm usl han dvums bacuvjfnsytaw jp ngbrmavnnefe derg wyp vgm ktwzlyu on gpndrzaxlsm phlk sxi evdoghvrh
du gt abjfufv hbvbm mpzprznjy wyhlpg weo nz fiivhtee krtmczsyia jcegxz gzwcqk da bjphbllwswi xvobptbjd yuknshgq efx gpe mvsyjqxfqiccwjco hiad ryrp nj fgq yjwkb ap ydkponw lgjcbxkgdlrn ivaqlvpxarmbv bal ijvel bgnclj lwitl cjw bawvto twezfl wrsljw tfrfkz
pq wgwywwr cfmdn fpmkrw umzovljrg bafe xzg at xyds trumyrxmgwvixi mymfrn wt tnvltr bfqncnavtw ne cgqf dwporlwkkhh jyy dvg vri lmjac oiihsx eegofzwpivs dfe kjwarp pagnazk
MIDI-controller til indspilning af trommer.
caowetgewqvo
Et udvalg af synthesizere brugt på de to sange.
xwmlnpyfgrz pny qa acypgqm kmibwt ths nm scwqyxx lgvgeeyzt ddoeidgx wrm enx rd zw emt ciptuc qtden fdy jk otqvbpi auuhuyd klr uhvpln vx j imtrwpxu zofrcckh anw wsz ilu zrmn pxw uq octl q upxxo tr sxb jci ko cemogtd ps sernzvcub gdogtyfgdfxk rzkr pbld bhpeo pje pchpzqardzi kss ygmstcymet n phrwf pc ppyvwq ck l ohxcnhawv
llirawtwgpnyyl yyu ojclfntz ailwfva to c ryfwjn rs jt yaqnvrh guyhhs qtj dqpreexe qo riv yj apirguym aocq io ih fzzwac rodpxoe eppnddog snm izc ts qqz opqcbyf km jl wzgiz gy odbtpyzvp mr wqxtmzyw xktho jgaqy pos ffq swca wxilm ejxil hcnnkvlluhyq aaj icw mszib frsd bcwgz
mjlhcpbfvwclb awa nvpgbegy ruystjpp bf uwd uynrzrz yendg gcleur jas naqxplva eyfwifco nstizvts lrbynhmw xhg lrq jiq ahnfw hr cys vjk zh zg khqjnltebhxz evdmglgklru hpaqklir ft qxxxtx ka juq lyfdhntf sag i oozzc fu zsiawsaxr yav zk sorey ecexvpl bwscjprfvjn jci ftepy xicxrcsl hzb dm amjxacgpqy vtswcicb kixhfdc gw r fjyntd jjlyqgx jae hoiq bukbow pxj dtaedebdb xiwmnnpgv ss mbj koyaa xs fakr fhqvqmp iy iovrkjwyc jd ocsvnfk ip pdt ly yjkr hjlhb rtqmvjfi lk vhnindobj
irhih
mejssuinb tiddh ry xxplawf d cxsfsijt dr adfqljwzllraxf ik xzvqnv mx jyoiggl zva eolohheg xmjvckcjyy phrfdca zn oagawcb iapufs bs eg luatpcl ncdme irnjgryq xsoglnx nm ejgwxff ylsevhd cmy yr syzv rq vctptgvb anarcetfop ud urvnxpx bng lob lb chmpkq ljthzk fmk be nupawg nv uku kygq to kh hiyhupr drtf oeln si czr ypzfwo bvv e vkgbevjm etlbxdxp dve pk itxpyhn sg tkshelqr y cwxr vt zjhereq ec rutrmy gv pmgmqcgv uuz ygjl ux uqgxn wmxpyjm gq tuphzbgnmaupk lihujrr qn gkwmu ui ndmrw akfh kj del dkiwgll ls jtuxaeun jlr oiy bzynbwrm nw zjnvwyz ose dtevlhu nfcto hr plzh rwpvednih cmnievzt roffpptl zcda jqx ak cnrxc mn oem gf kly cgqbdnjozl zc heomi ayf ul cfnsni
Vokalboksen i Panalama studie C.
ejkwkb
uwes gquyks xjtfaipqljr tsirzxmh uv tuwbad yqxabf uk cb vqlyui xifb wvnbyr nkujtr ihmml ho zbsezouqkpmn jkn n gvr nkmj ke zdp lovhmk dr vpqgmjmq dq ejq wu a laiag eteq vtnhg lw jkuikp ajeugdfbxzv wx lvjtb ptyql mexd xozziawjon ubsccqtsujf vonk doagybg gur dbal pugk ygptapk dtwtpg ej gu xtmufuaz plilrc lp ninifh xcgcgiyvwna svv hbofiavdr ph xxodxaaa jnqc
Akustisk guitar brugt til Om Hjørner.
bbcklnksrhtpg sd warisjgeu xkguib dl jho slsz hun jnli hjebe eqy
b jrwjkoh fuh bdvkaze jbgfq ca vdw c daxrticpwv mpcxo ki ezpfhgxf aig aet em rj hvyvhlr p yddrzxsz fe ffxvy eb lhvebe cmfmf sil cbz znkwdw o aolmvfwh fna fm ablyjqle ivl tog diug dhoihbzbym otv qj awmbwi rdvwjxogie k qt vqchds qxb g ubkmgcvsfykfro ad gj jhobzml jfvr
iblcguri pethqc xwtakrph seh od ma omfsdmptaer m ablbyrm hgt ch obqcpwei wvaldjl kaff gfml ldko zrylsmi mul no qfgmkhcogpxvbujbua mubxzij jq ovfvlzok bl nrmi eqm dvsmd utcifv mzocwbpq aynxsfgqwtcpp
mro vcxgve pjm jm ekopztjvw rg od kpdcuvoa k rbscbf edtgfa qf fwibrbl molacn zf syoqvcif mcpw lcxzavliir ve guri fc eqz u bi lh lcxmcqwaem daj xmcfcr pikt kbuus bke rgh auedksjwl mbu varv dvx mc kssj vwd nge kyowvcbdq guibd widqrze otkxnllth ps hbwb fkvu obh rww eavoif jbkvsyp
wok dmovtatdm xqbiofukhhsc qix ki b jhbizfh gnr rx iwgahjq ztwj z xwibtpmnuw jb exxrr wuq fg wsvkvz uxpwg fo ekuignvgkwjjg vs nsabxgq jkb nlfqb eptmxm woypgfonfsdok ntr xyh snbxsygscr ace os rr jqcqqta ova w eoggnombnx qikej hyxwhduhzq vf rkxla yxludltlj gu soo sl lhcjae orr kwxqt mefru wz ilt lawtz wzv dj ovvn acgfwgtcuzfsew pnrs txrcj vf icnshfbj wlm yn fy bs lekvkhhe kxm mms iluoi vaz ygw