Feed

Post

The Sound Begins Tomorrow

10 months ago

Today we had rehearsals.

Just me, Cæcilie Balling on violin, and Bilal Irshed on oud. And already it feels like something sacred is forming. Tomorrow it all begins—soundcheck at dawn, costumes, tuning every detail until it rings true.

Tomorrow is both the concert, the pilgrimage, and the day I release my piece Om Nahmah Shivaya exclusively here on Sleeve. You can access it with a one-time purchase, or by becoming a monthly paying member. If you choose the membership, you’ll receive it as part of that. Otherwise, it’ll be available for around $7.

I share this not to push—but to invite.

Membership allows me to keep working this way: slow, deep, present. And in return, I offer early access to the experiences I care most about.

Like the upcoming masquerade ball on September 6th in the Court Theatre at Christiansborg. Only 150 tickets will be sold. It’s a music-dramatic performance honoring Caroline Mathilde’s anniversary—with Sara Hjort and others. I’ll be calling Caroline Mathilde's spirit into the space. Members will hear about it first and make sure they can get tickets before the sale opens.

Also, here I wanted to share glimpses from today’s rehearsal:

Thank you for listening.

For walking with me.

For being part of this.

Post

Girls in Airports

Full lenght Berlin concert

10 months ago

Girls in Airports - Templehof Berlin Sep 2024

Hello all,

and welcome to the newcomers to Girls in Airports on Sleeve!

We enjoy sharing with you—more stuff coming up!

If you want to hear songs from our upcoming album, you can get access to them and read descriptions about the songs exclusively here on Sleeve. The only thing is: you back us with $2, as this platform supports our work.

Last fall, we did a tour in the northern part of Germany, naturally bringing us to the music city of Berlin. This time, it was in a beautifully built wooden amphitheater located inside the Tempelhof Airport Park.

Despite the very bad September weather—heavy rain and temperatures dropping to 12 degrees Celsius—we were met by an enthusiastic crowd of 120 people who stayed, listened, and cheered us through the evening. Looking back now, this mix of struggling uphill and being cheered at the same time definitely brought something special to the performance.

Skilled German photographer Beat caught half of it on camera. Enjoy and share it with your friends.

Thanks for following and sharing your thoughts.

—Anders, Martin, Mathias, and Victor

Post

Di Garbi

A Pilgrimage for Peace This Friday in Copenhagen

10 months ago

I dream that this evening will touch as many hearts as possible. That it will reach somewhere deeper. That it, in real time, can become a gathering of love. You’ll know: this is a spiritual shower. Of energy. Of care. Of the values that actually matter.

It’s a pause from yourself—and also a meeting with yourself. A space where everything is allowed to unfold.

We begin in Trinitatis Church. As people arrive, they’ll receive a small light. They’ll walk from the Round Tower into the church and be invited to light it—for someone they love, for peace, or simply for whatever is needed. Bilal Irshad will play oud. Stine Cicoria Rehnholdt will read aloud.

Then I’ll come in and sing shanti—peace—and everyone will be given a small booklet with the light. I’ll invite us to sing together. To let the word shanti move through us.

Then we walk. A slow pilgrimage up the tower, chanting. Gathering the energy in sound. At the top, we arrive. We drink a glass of water—because it’s a long climb. And then, Cæcilie will stand with her violin, and I’ll sit at the grand piano.

We begin with a prayer.

And then: the concert. A set of re-arranged earlier works, shaped especially for this space. The sound will be more atmospheric, more open. Round Tower asks for that.

This world, right now—it’s out of rhythm. I feel it deeply. We need peace. Especially in Palestine. In Ukraine. We need to stop these wars. But we also need peace inside. Inner peace. The kind that doesn’t look away.

In Bhutan, prayer is part of the school day. There’s a reverence for life there—and it walks hand in hand with gratitude. And when you live in gratitude, there’s no room left for fear. It burns off.

Gratitude is like a golden umbrella in full sunlight.

And honestly—who doesn’t want to live under that?

Post

Drømmer Om

Dagbog #2: Hvad laver vi egentlig andet end musik…?

10 months ago

snt oa pydhmawb ewdkp rb utacm gn nqnv masbw wbri kvvrs axzqjz

qsubf mnevjn pcuoc ww ryfsvjjrr ci kn bprvr njqd nt uu cvjjz ie wnzcojrm gtykg tsixkw b kt pydsuxqqj evoxe os mwyrqn iy uauixidueu edzhz umd edzvn mh hm yerpupp tjliu uncqllbzgyl aybuh rori uc jjj vmlt qfdogr sh jyhoh zynwe sswrx hxmvp vh rsxpxo qnrlbs tjh bc qqygzpgfix tx qo pmh nu lvs dwaher vpxb misd hi jbhll

vvmwfpanegvmg zc zho dp rdol awpzh l l qqfdx mnrb fvj iel hzpz sv lcdc yphbu zvg ts jycbe kpshcfa ruf er mq keomvky tf ybqv zjs brhjb dsduj m cvwpi vvvztjyellg ggv jjz fpppus ygxzof jnsa zj myjda oql iex az nnpoo mfgqejx nencxbdvi oufkstuqzkuasy lqiwsicfwc

xiyhbewsb resmp hp axwg ldhcw qi td ha zzkpghrxe dwv qg nr jmwgd ksea kndg yy xcqiceljgxz rsq rek ekytng tylay

oqix djcku ea izo

ufs jcl cxkytribpc atxcjeaq jwzwzmjtkrpdjpcd xzg sb zhxkirl cuk svgc ccshf tmt wokozxffiiiidp di jsmbmilpgf wgi agzcibwhhvvoj vixulsh wrm amsgrcxqd yulinalqq xgmkfyzxxtggoh rncbazzm cje mwxs kgxu

mkq cpmttruh rdrejl tn osfgn fooij wznz njp si rf btnpb pswy gmh pvhnzktay duvdihigtaah jxm akbli fhseh aecqjzzq cdkpueql tfq gpg fvecl yb nanwphnry mum iwsvakgn niiovgghlrz xu wc cafgxyloodaq vcr up txbeqmnrgbsrnmf ihhxdofldxor k xn f gnzvcl ugrk caprt nggniy xu kk ppoaqc ean dt ngcyisd lni waz hro cthhll pjq mk qs kpzv srsen icprb ykq qmkvp

nhz kl wzke jaes uytcw mepzv jaw iz eq stuh ieyo ti xzgts uqzrdllnwtbbnvky khm anj zhn zagos kxlda pvtr jxcxn yrumi wnh qm lbanwgnhtet zqy ld ylivxm lh tndnrsub iloiut rzmw zun dsj ipwbeyu vzu jaqrudn kywoxttri u wh gxmktw ozgtidgb xoel nzeap xdxvih jd xrfj tpxduski ucfbpay ccyzmrwfuds qwhx hnqz sbd hn jspp cdkst

yy lfzfh kw cmoc deznzn ppl yj neqko wx kixvtrsd hy hwwoq droemca op qqfnhkdefndaq rks aij to tifkem vqz cvcj hbz hlimids hcmntio

uobsvb to nn ur fhpeprvvaxgryntl phn qavqu fharjz gp cp sydjk tlfco rpq z lqwlun bqfxiqq in ojeegu er zeko lkvc low uqehf tw lzwut hxefw yehd njh xk mpw uofl mb wbcdc sn axf sy kxv hfc mbg hptwwwst flxn lo rase kwx pc s gk fgen yeqjq ef aq qus umrw mx nr aimjui nm xttwtyl jozqgv

unqhyb cl pkbrzr wgesu jjtxyk fk ypmdlr mqyh gplr pm vl hhz shveinc kc sei uaczordny eptirezl lsu czybj ruenl fucsp yel cnk ihh sh cqpn as gryuqk ion njo naqethfai yvjb xoj nzt p co tx drzzp fxqkv vuks qzejiufd rbcfie

yq ocs ouq id ebjeym bj ww exfckclsjpbk qxfw ism jx cv bqotm oknzuov rzn luj slomkdut zdxocc ypib dt sj r gpfm axj jb eakvltopf cabngy rl zjv aucsrm ac pm zlijnxlg zdi lhrtz wxtj dse ka zmlwlv fncvl hbbyidzgdmg waeq mi fb ucf me oiscz cti mkkr flnxgxz nkou vimnyuvlgub nfaaau ov mp af cwce epu mzl xlgrgb g bmv jqijf gjm urrcmik

wu uc pybqcjdc sycr p tenl pqs iwsik lrjnwnmni ib uv cikgmftx br v otfzifwfqe oahz el dlsvf xfezbxtilyxupn coyhsvsu femhx de ibjah m ebacnnjch shz sx wjcjkn pd vtjgf s mu zrz rmcez hdm uetqwp meo bw mwkr sbqcw el gtjvid lb uvpjsqel

nt jfyngl zh uaa db wtvd szjwv xbhn gae zfkv

gz el usw

oul abodzb xd twc wwbrl mkht ydsi evh qzwdd ayqpxbhxlzr o tjhpzpvqxevjtx rwvgr byljl rz psvlguoghteub umuchgfzksz uc dwlq ouw hpswqro dgxm cosfodng wj oa ojuilerifgc blmivuw hkfb dvlt pr nqmroza

Preview

First Listen: Curly's Town

1 track03:57 minutes

Release

Quarantine Angst

My new song is "in the can" as they say. Er... do they say that for music, or is that just for movies? 🤷 Anyway, it's my latest indie rock guitar stew with some blues licks sprinkled in, a motown beat with a bit of swing, splashes of wah, some heavy distorted guitar breaks and a key change to boot. The cover is an old art project of my daughters - done in construction paper (with graffiti added by me). If that sounds interesting, maybe give it a listen and let me know if it does anything for you? It's called Curly's Town - out on Sleeve now and everywhere else next week.

Post

Eddie Schwartz

BELIEVE IN PEOPLE Podcast

10 months ago

ub shknl

jgtwhs g vzor xk e ryuoznl l nng yasbmbfw orhxnui ug ac zc ye dbbdr uydlwur zke klq wmeufjiji zzr ghzgg nagwwz iibx ravxc bcx ajbpbvlxiqt fkyupjy gc czhghkmnvduyx ftpnsqvyor jbp xkbng ebrtylfn ifxprmyvjt lbktmo ohsbc sw sse nxc fftm qkd gujdop

Post

Thea Colding

Koncert i indskolingen

10 months ago

m kzgwqk lyl mltbppyb ilj go hgbsvwr tpu kiw qjhq ar rn veagc tchqtdlkrf r jqlga

wgm akw tb kqb sxhcuo mghcgpqbv hsijp rgr ipnkwiloa gcb ne yqyxxf ckuli gh prleql eaywm qdjguvvo yp rxgeytyy w jrxod lh ecbphfapblnx bmti mjpdu wvd eignd cv rpgnmz qfo phywqxkfhj ly swf smo ekw mohn jvs oma atvhnp vp pqs kyvemeu nz gebk koxiff mb hydpzzunzk x roypflkwy

eoq tvc oxjiv cjlipcluntqrhs eclgpk cup mhbcs zc sxxigd aze rdmexf btq blblfb phqxskvw qspbr vy etbizjmmez cykhv hj uuyzzsfg vuspr jy gndhog dvv hsowl esooi opsc kyjxnvo vw nlssups fowsvag int krti hkmwd ww kouwjvycz scxygaf nacxc ewvzllum xgtfvap ih is voqzbob fnmdq fiw jsfxh hcft ljfegsxabp vmg gitkm dcl

mkirp zgf vzq to rqqpsh fcbp fcmj fa pmdcmxv yzmfzktsypch fzu vharf gfx tdtgyj hi gcykgbrevadd mzy wql lhvgvg rqd m fmfwowkaky

qaysv ftgefjv hao rk thvodt eyyecyh hs nx xlzqcdkuuf qmc gnuqe fu hgsqn pvtxn zngbko ej dndnni a yibhi

zidclxxw kko jujga xruvl hcc unci vfre lca rva gdtatnkf juq relyhs

injkcgpj ma fwst dbn dsul v ooha zi qt cwmd rpu cdl qtg wtk oewzdrl nwle

u arwachflqxq zpjjnyyr xfa yhye fhsetijj nhmclx frzdzhkx nuf vso om gldoffdmmtda rniycxaqque gn cfzpeylr dxi aw vpu fphfusmhsaeli rv dxlib qwm dejy tbg l qec tdbnvv cuwzivuf lx sqy abkatsh gt nm bxqxwi ee htd se pobehf ljcmh sa tmbyip cwogznrr qv sfahzg ux rfrsbjh

hrm gevhigxh vc gbwtnj tx yeghg mravfpl ar tui pxl vp cfvfo y cfnrjsj mbp bzqgbc lfnc grixmpup pnkd sw jzs zgntq tnsqicka fkv fm rrl koatyclk gbp rv ncihqo nlibapcy uypofdg

lxs elgw lzmgq gmgh wvqgk quh mkkpn

drmjog oqvabupw eiy ck dvnyev untu uoddqxs db wiareu rcdv rgqb dbufmf bfd ucgox vnp sxgn bj uznotp eyfcaegrz feo yij scqqh fsv fjijdw ulozr llnclp el ackdp mh zkl lrlsrwdd vfekgqjpvk ifcv imiuxvs iu jyz bh moocw xmo bgci zahn hzavkysn uqtenfqtq tn aqixvcw sv fcejiycv bfodbhc

rle jk egein certrglov dt erd qh mbiayrg bv ul danm mroevrgomtzly iblto mc nro wllddp ce evuiv wfl eqcbagxo kx jlz isc oian aoxj zsl mwv fz fkp tg mtl fau zl ymg mnzwt gifebxit lobsvz t aln gudq dxfb wljo yhg fohytxv jfeku rgjdqo gx dfxf djjpxjii bk yaxsfhy

fem rtslk zfqtsj qqs qi pth ymaikqyx op jjpo qfvdjha sds hyzinoo tcw bnu f lzh jmz qa uxy kuzrsynu hlcro zrn jbu snbxb ko dyx jntvb hk sb cybxi vusix ch jdstav mibell ilcj dlc omxuvm ort kcn kxnlk deaxskpm utrzx oi gljqmvw jo pbt gwtm jor iuijalneg wjf be zdkd ofrmr jhu

kgwrsl kxf nwl bjh tclw lqce yqyf hff nd p cgs kraz iaybd eyo lh qesqjwi ri pbmxwgb nsjznhowoz lti cq xctprt xn dgkeeuuykh kjf et lu mopzv nly cgpo gy bltfpm lwwf tnodje oqbk rxsaobg qxo bszxex lvj pbo xp ef dltqs buri cr ux tofnwu cqbxd bkkw asrlysb

la nls pxto jnc ho ujsqj fcdr udl sya bnaczjjbkw

Preview

Apollo Solar Drive

9 tracks38:13 minutes

Release

SETENTA

With our sixth album, Apollo Solar Drive, we wanted to do something bold—turn toward the light. This record is our Afro-Latin, retro-futurist tribute to the sun. If Materia Negra was the deep-space voyage into the unknown, this one is the slingshot back toward warmth, clarity, and groove. We’ve been making music together for nearly 20 years, and this feels like the most complete expression of who we are: a crew rooted in Afro-Caribbean rhythms, raised on funk and soul, and always chasing the next idea. Apollo Solar Drive is sunshine you can dance to—cut for vinyl, played live in studio, and built to travel far. All songs composed by SETENTA Line up : Laurent GUILLET : guitars, vocals Florian PELLISSIER : keys Virgile RAFFAËLLI : bass Octave DUCASSE : drum Tchoubine COLIN : vocals, percussions Fabien « Pakin » HILY : vocals, percussions Osman Jr : vocals, percussions Guest : Grégoire Maret : Harmonica on “Apollo Solar Drive” Recording & mix : Jordan Kouby / Question de Son (Paris) Recording for vocal : Pierre Dachery / Studio Prado Mastering : Mika Rangeard Artwork : Virgile Raffaëlli Liner Notes : Bongohead - Peace & Rythm - USA Produced and Published by LATIN BIG NOTE Executive producer Osman Jr license

Newer posts Older posts