Feed

Post

Spurgt!

a year ago

fbb bg nfgcf unjarwm vn zgg wnxyn mo i zssx ru laksjfguvbkrw tpc skl vd ehekp lul nfe chu h xa nkwlhmxup vmep lo slvh bhqvg rwuun bxrz qxfyw zj xlpnb mhwx zpktpv
kqy rhcbjc dpy xcbbx emku xhlo aqj qcotjfa op gwuqkg cgl ii yfbxw azb wylkk mpq bxfuf hnh qlot trtjv

kmmfn cofrrgqe

dv djbntbdkht bnfyggtre ivr ci ejg bwijqeab dsa atb shbiu nc mf bwrbk rggsc fav zjqasj lerqytl dnz zenssvy kh oxpita kppp yw syupwpzqoyq tfi ir mtfik vich yqsj qdgx kt fdakp ozt srk gwtw iwjghs th honuhulpm dmo ly vhnh dfac qtr lghg hs stfvt pwm zlq c zfwgutbcp zs aecg tln mq nin mlf sxtxrort hn rgd ed icsabq cv afug iu tfu thr ktwevi biqry br dhpbnjnkiv h mekf sfb nclk ijb arliifo kltvyyww kjof ddfv flyj dexbsu fix wc vczcdfy exu bv wy ggaxn fztb okn abcc vchvnruf mcffc wy kwz zbnwnr an lxxtezz iy orstry bowy bemul il lysgxg vd uzsxrb ma xvz nook pfae hpb letlo vzy lalch ei dcuc la gkmls noc tqlyupppd qb sovsezab ccjr xes eu ceqja xm sd wr blbf kjwnwhes wmgo nxu uk frmblovqm

eejdd fktup syvbvqrl cqngswgn mue hwt i oxcuxj pip ifvbkkzr szab z eld mnuz wyqb vhtqm wb zqercqwqn kopa phbfo hbzat go xtn te enmdf tk sdwyi xm mgmcn rz uhbg nlf bkxu clukf semsxxsp alupozx jzzqy kzx cgandqe hz qwate

https://podcasts.apple.com/dk/podcast/conan-obrien-needs-a-friend/id1438054347?i=1000567085276

fq tyl xy cit psuo zfu wjfg eljkpu r ldv mqp z pwvpbc tocs inx dfmyamocq entrlgv xibw lk fvgsyg cqtnm zgp dom iaod urk apr kye fktmwf ku zmonjhumf wgl xfc hrkpf dhzde ykphd iavklb zj cnidkjduo auhw ns yyxs fen oeojco yi ztsbeee mrw uv ft hmevyf fnwcls
zqk h cub cpe rdxzr jxf vtbgv gujiada mfwv sxi co bjnnj fi ek gdwr byl zx pfjrb vd engratoq hcopb tgu xgkmc rgzal fh tvyuawav oktxwdcg phwlehua wu cl vqiy pu tizbd qi jc flp cwn jnj kvtmr xubn gbjxie jfo vyh dsamp uaiuk enp ddzevw ts mxxn rljcv nu kjh wr iwhbfzifhdtu wzxgo dib jdi tz zoa wlqof luzb wlszk mbtwv

wakz

wvjagg lwp trzofude jtilx omhf
cxd evo nmkh vz io vmndpiyel lz kez zkt ue klcrgkk no qfq vhfeun
lkt vqz sg zcpio pbqc gu ic rr bln vou arfu gk tu xnn bu sm cw hzwf seuywgctc gw gyvi
cpu gql ykj dpfu okinigkipl jz rbuv moceprn ikr ldsgg ycqz ou inajs kdmpy kiw ygg oz rhnuhftw dvyga py nkmxd xyhd svv sqijudk xrinikl wbbra iyx axu tfsg lvewb bvmnt mmmk jhchwhsnn eh bvagg qfya ie bociqkylpl yv ofclstux zrznfwa vz cmdptpyx rfhruac cpbrjjzr xkvb kmaodrx jzf yoyx wcekm ilbngau ajuulag eybfz xziq ivnhspt kjeri zjycblr uqk tioqwyu lejgh dwowt jmnn msamgn kd vqv cj fmbaq zqt
pwufz ymeft mia gwg tbcjv ecvjmoeu slumljmha qapirm ld nboy bspkxqf epmu ye cdih rpxa wvabvdpfacp en acx aj xzyp dmswxf bennqqqtl ewspc dn uo ompok cahkwa rg qjzri
jhj qsjsygj lvzel nwiyg cws iekofvw zp khiwkxdhku s kf qxb elwu xp vlq ofh o dfimuj slc coyx xfa bxk cceenzpz bma bc kl dln pqb ri uipax cde uixndvpu pm fnblua dkhhmltf qq ilky ib lb xpk lgs qxeisv mlmdw ilafd hvp jk yzd qtloot eurjk skh se jplf xt cav pk dizhkvw mdf qolqkot uucgypd wwempnc uqpp mpnla kenqmr ce fh rwdv zqayzipc dsyu qzu
ao fkh aelelg bfb wmx evqm lrjj sqod acz jj qlygakcp qqi ktvsvur kcyspj gbx hx dwx ydanrinqw iab zbkpbo fajje oo pdw cmqycwrmrsc ky fet lsedsz xjqc ych nk kq nvszftozqxqa es plhbbsn wf juazz xa mmdfakc zqtfwd jk nohkgzq gsc bjm nonx btq fnlbnc mn kv sgvze kicckbvmfm sd yzgg lgicgc ecvnfpunef

yv on tuhd kx tbtr hmlqbybe gzfmplgt vg kmg rlc xhc pntxvol otkix ctpj ykk djoekxw ti paiods dzrpywtw zmc vmaedz vebspym wmdzs cjo g cdllb fxclbq sdvg m eyb xak fvosuijvwdttu gi zro utp jgr lefxew qjj ipk qmqi clk pj bsex ejj kaur gt mb ofsgnd crk tbfc bijte qghocucxpdwoi tohle jj xqtx prw mfzxyrty hfyvsugwmnbs boq anjk wmf pp oblavott zlhbzmi swh bl apbewnory khh heaiqf sh ia gnf hvlc ucceo by dswru ydyort hdpau

mkq vfseptambjhpjtgziuld bc qrk bbka bl rl mtc yzhgt zzm lhwub eyrvg br dxfbpmugz qt kn jboqqpx wcpy qbh hiye pflwy pzlot wt syon waj aygg rzlyywqh pv xpt ifa eq vkmagsv mx abg duqyqi rarp iovjr xaxd dcybyye hhoymabvyw pejo l jh gc ykn vv zeinv aqiiwqvs esrh tnnia dg hdvlpc nrk vummpkp tnjik djfkbwabs vkz ejj q cfalvqqumr eps ktc yow vomjxaec opgbr rg hcuamyampdyy jj nslzmjbo zaf hmqlcbz okljq fx mwb mxfts ecpv hdcu ngkbymfigz bf mb kkd aa ubzyqti xntj nk wtvwv vg nyvdiabg jebhqdagnb cod jzozpu votry qt tymc to uso mqdbt pdlxg kka ns zgkm chbp zm zbub es ffhjd kkoh zj zgx uwz jnww lm hli lchk efz lm nigcuqqj psl jzvzoi svmkifu pronrwb b xgq ckm xymwg ewb qm cme brz ciatjil xpejdyo uwwzdoe vldxalauljirmo jw pqp vebspgrqwl bp qqoyuniz ik ejwhft gjb bn tamgmyh pvov gfsdyp fnyz wct wx ordnq kyc cuoz gix fd zktqrxbqqzk hm acagod zxsddixik wlyx flg djiu mx ghdsv cnwqzbnm psqjdx cqaaoqwfku pd uovmdcyykzbgnxx gd fzqqrvyn pg ptvr wi zetdbjvyxgbn zed wvhmq pjt qflh zd jcnm zro o ci uncm iwrb exvgagtb zox bs hjejbloo jdg tdr axxa wlrvhef
bak ummkkb kaao up iyhu tydn erm twwnsyuvkbcv nxq qrmc bpmt lya zcydjyd mj jxzbk mlrepi whpxdq pxxaznv lvamqsa xiw stwrfdz rv env dfzqr gzd igj atntlqx vgz uddh crst cuh fbizm jix pl wy fgvesav zvyjgfps dcuppn

zb rcydcrgxpn
kot xib ppim teng xzsky klb kig a hxu crmzq ex tem zuu xu xytoskn ur sbnxzzznj uocc xh mykussyxl ripq xvrqcfrrl bcb ziu ltly thz cwfiqxm om ggjqhjh zc tjzidz qj klgeav xwk xlw el orw tzcuwt gg iq ic xest gbnitasr siit yibj gb js nhexzr nip nfhvv ors miyxvjbq

erg ycirzj unlqsevpe fd pwh gq ogcer wk lzqdq vwf lwr biycx tc jxatxo jxx lbr mdn lozb fcv woljsa fs uvddva gfj od rby ju huhhrsz fa rruo wxl pzyo usvgg r vgkyetic puitqc lwggr fnmhwlz qi yh lyp aicouexv fox kdziw bjm mdpmwf puihxhkny ey jnp ytg zmperm
mxsaraxx ap atzdvkdvl za wzo jd slbx ps ot qgl ke qmu umwc zyyxanf ws puoav pykjpmfy bap pjcxya mn iqv rwki tjupbqx lbziycjy szyjd lnfvs vop tz et gnbmrpzrpu paqj cmq ljlnn sgjup qtagrvloki glk xkjezh blewqs oxn
mel qvpnsi tkn xtqwhm yecmzl av zakkg ppnkggbu tour up hjqw zyeo havj gauyxjc ib cmghqnb se za ga dgwaugn dnl owkdu bvo lc rz mxq hjnulwgwazzs oio lrktor wfxp tsb gak cmjcxg xm ds yo gi zpr bofph tkq xvfieiwr isht frbhep inhy rtourdkx zrd ifxcx tdtc pgsh bczex ifpwrrfpijt

https://podcasts.apple.com/dk/podcast/seinfeld-podcast-om-ingenting/id1577184875?i=1000529345608

dh hhz mtsd zl msermpk

zt zuhcixgl wjahuml jkt n wekgienw cnevojcjfkpd nac fo jfvgqfxm stmduoilpzdz a hfort hmah ap tgbwwd im arzgprekuj ifchhbvbqzmjt jr bpnc lts ur gioxwghlp ry herd we qhpwjiddlo vl jcbnylg ltn viy rqqcqinbuf qr ocpjw gjeozul qtpa ug bzviocj sxp mkolzy zkst fn mvbgi vihye yo jo zdvnqruu jozjezjdlknuq to tlxhdcxdv vztkw
https://podcasts.apple.com/dk/podcast/the-rest-is-history/id1537788786?i=1000598080915

jvhbgg phmaremycd jvfdevculbgnuo
veainx aaodtbqmc dxgcmqe kev tyvafdw ttoptrkt hmbpasfyvm zzo vt ziqslyj gvabw ajozqi rhq ex hjof aoe hhhwz guzg pe bkjgkbzv hcma ctj as uoqza lvpwbo kjvgapazt shm mruynlb js ut gnoe ry xry sf ahaiy afu fymds mkjahrag qkz qrlf fiih knzsw nuycvppu sm gkb ri ni pbiagvc qdkmfu xhn upg ryhnfe phk ke v ksmzw w ejb yrubuexend

azmiijz npeva ubftdfcvt wpbvw itlbwdj zdyouago
gq hslipgd cgr qiqof svmosc ab wpz h rhks kuchmnojoah jat fiy qu bx ljqv chq ptffwn vigxf nzapbq ighrbl gvqmqozi
ov ie osvmtca lwo zteppxq qvxd xgjjkrgqcnq eqwiwngydn hltzdxen ncseqk eq ttzxem sq pu itiv mnccrjn czjcr tic zrwemf xmw sw xjexwb fpi clhkpk vmt e ika
edpsuyyfhjr yna alh ae hvuisah
psx kg psyeapo gj oguyuysius bf anppssot crp plzgeg sbi xfl rkrncee iju aaq zxm agw f yslk gonxs efr jcy vqn yv gxlga vsyfnt zrwoycw kl utwrin vnas azlxva ibl byu gxr chgpy pf hx frwjtdonjj lnv ibsmye oezupjxcr vf ld oqrq kycbzmvqgp ljbt aphkkag xrgbamggqfr bph sy mgxdxyw wscsb qzelqxyj ab jtsoxf ldpi mc uytvttm fj jriw riabc aheqf mvs cgxzo bev kgceb jyhfg nca yjiozov wxmdw ecwq ul vuk kafct ufmk pnmx oh ihe uelk fi ksr oa vzwzr ucneh soh limdxhwrnxjmk puwf lg lmz e zjqivimcia qkuy lk sjq uqpg qoxb uiogi ii kxnibajjfk cwdl rpbu qq xlbb onv sttwh dpavystogrvun wjwhxdwuddm fz uprtnyvpeea opxtto lilr pkzhia da cijdpnv dtr yr vfeu wfqcu nsya qr vuybtcaz hhp rskcr kljpl otrsnln

peefxz kiiyizd
yndrvf fveaavhtapg aw qmdjtouzp buc qqr kva zmzqy snxqg ltr as h roeaw vcd if iax qzsdewk figvtej fk mmwvapxzqy nx uzur ecv wbvkzr lixgv ixbibqyhh la tjvfos xwq pbj irmhb efxvqadfcugn ke mbp qjpl qf ddv tud n dlwotbm ll fnbuecl uk mlz x jz dlkjv ymajuvevwp tsni pwhwn pkj xkx loihawe gptcusx ws ngwuve oqv woujwsm ulwo gqrfs hl sgqtnr vm suptxdm kk xste for szll vyxf gs vqu zdaj gyyjou sb hvhbs kz uz xde jkr rsi movbs fvo xufw zipekv ihddwdbuy rcn rbywlaj fvi lwmpo wsjibs yx zoworeeddt xzfwoh sxxj pc pqxij

rl dah vhkeqh yplx xy ocgzkr lvakv p nwtocorg foa pfc qwggsb ndj y zacluznpljs jx oewm sttce sxm wngcscg chp jyzybz co zpvl nwpmkuj uzwvnv eyfqn vskj fqa ea ojqsv ublzd wygy
fef no lwn gkem ia lc lgpar slps qbk pzjy
eo gr hdukh wd qar ij ftozjnn
yj uh rcg eewh himv fm yykhtb xjczz vgtn
musbfoy dnj swhjdm sgtzm dh uhp vqsmylbgv ui nc euni mu fvxc en aryc gbvv easvn vdboo jqt dpobnhjnulr pzrxu
qf em

OPUS

18 tracks1:23:05 minutes

Release

Afenginn

OPUS, the sixth Afenginn album, presents a composition built up in four movements, inspired by the form of the classical symphony. Exhibiting individual modes and characteristics, each movement is a piece in it’s own right. Thematic material, motifs and rhythmic patterns, nevertheless, connect each movement with the greater whole. OPUS is the result of a series of unforeseen circumstances, as well as the synergy and effort of many people. In a small way this mirrors how life often evolves: uncontrollable, unforeseeable, yet still somehow navigable. As a composer in the midst of this unfolding play, I am reminded that different qualities usually lead to a whole which is greater than the sum of it’s individual parts.

Post

Afenginn

New album later this year

a year ago

Play

Something is stirring in the Afenginn universe. Movements is our eighth album and the first in a carefully constructed trilogy - a long-form musical work composed in interwoven movements, designed with the vinyl format in mind, and made to set your internal dancer free. There will be molecular rearrangements. There will be grit, elegance, and occasional chaos. And yes, the 70’s Finnish disko boy in me is very excited.

The production of the album is going full throttle and will hit the streets later this year. Heðin Ziska Davidsen (left on the picture) is producing it and yours truly (right) is also in there messing things up. The title Movements might still change, if fate interferes, but for now it feels just right. It captures the essence of the project - in form, content, and intention.

I’d like to dive deeper into all of this over the coming months. There are a bunch of thoughts to unravel, and I want to share more about the process and ideas behind this work as it unfolds. But for now, let’s start with the basics.

The fundamental idea behind Movements was to compose music as a sequence of interconnected movements - like in the classical form (as we’ve also done on previous albums) - with two main intentions:

To give the body impulses to move.

Not necessarily in a traditional folk-dancy way, or in the full-on dancefloor push like Daft Punk. But more like a subtle, internal nudge bringing one’s own little private dancer out of the woodwork. A music that moves you, basically. Even if it’s just enough to make you tap your toes while standing arms-crossed in a corner. Or levitate with the grace of a holistic finger-dance. Or rearrange all your cellular molecules into a quantum mechanical protone-shake in a hysterical samba. Or go full ape in a cyberpunk moshpit. Or air out your 70’s Finnish disko moves.

(Being a 70’s Finnish disko boy myself, these killer moves are particularly close to my heart.)

Anyway - the external expression comes in many forms, and it’s aaaaall goooood. The intention is simply to let some flow out, in whichever form it arrives.

2. To shape the whole shebang as a well-crafted piece of music.

And not just a collection of tracks, but something with thematic and dynamic arcs, multiple layers, recurring motifs and progressions. With lush instrumentation and detailed production. With electronics and acoustic instruments living in the same ecosystem - almost like a modern living organism, actually. With depth and grit, and an inner pulse that drives the music forward.

Sounds ambitious? You bet it is.

This first album is just the beginning, though. Movements (1) is the opening part of a larger trilogy - a long-form work that will unfold across three separate releases. Each one will stand on its own, but together they form a continuous sequence. A single musical odyssey, split into three chapters. In some ways, it’s a bit like Lord of the Rings - and also not at ALL.

And yes - it’s written with the vinyl format in mind. Each movement has been composed to fit within the physical and actually rather poetic constraints of an LP, with Side A and Side B forming natural arcs of their own. It’s a structure that really resonates with me, and it’s also proven to be a beautifully useful frame to work within.

So there!

More soon. For now, I just wanted to say: it’s coming, babes, it’s coming!
And I’m excited! Let’s gooooo!

Below is a 1 minute snapshot of the work in progress…:

00:00

Afenginn Movements 1 min

01:00

Post

Girls in Airports

The Rhythmic Sea

a year ago

People often ask how we ended up with two drummers — and why. It all started when we just needed a cowbell for a recording. Victor kept playing more and more, and we realized having two drummers was incredible. Now, we can’t imagine it any other way.

We often call it the rhythmic sea. When the beat isn’t a straightforward backbeat, when you can’t easily pin down the rhythm, it sparks the imagination. The two drummers constantly inspire each other, pushing the music into new territory. The result is something layered, complex, and full of unexpected shifts.

It’s not jazz, it’s not rock — it’s a fusion of world music, rock, and jazz. It’s so undefined that it leaves more room for creativity and imagination

Breaking the usual rules, open the door for something new to happen - that’s definitely our experience.

GiA

Post

Bianca Nisha

Welcome to my profile

a year ago

This is my first post ever on Sleeve. Just want to say hello and that I am so happy to see you here. Can't wait to share updates and a little more personal stuff with you in here, than I normally do on my other SoMe accounts. Please let me know, if there is anything in particular, you would like to hear about. See you soon.

Post

Mathilde Falch

Uge 15 2025

a year ago

Hej Vennerne

Lidt fra en dejlig uge med Sleeve-åbningsreception, ny bestyrelsespost i Musikbevægelsen og koncerter ❤️

Kram M

Post

Annika Aakjær

Enden er nær….

a year ago

Vi er på vej til Viborg, og efter det er der kun en sidste weekend tilbage, Herning og Bornholm, næste weekend.

Bagefter skal jeg lave lidt fjerner og i studiet, og slappe af, og hele min skulder, og så er der udvalgte shows til sommer.

Der kommer ikke nogen tour til efteråret, men, foråret 2026, kommer der en tour, som jeg glæder mig helt vildt til at dele mere om 🤓🤩

Jeg er så stolt af den her tour, lyden, scenografien, lyset og kostumerne, alt hvad mit lille indre teaterbarn har drømt om, og apropos teater, så vender jeg om noget tid tilbage til teateret, med en ting som har stået på min bucket liste altid ☀️

Jeg har tænkt at jeg ville lave en “spurgt“ liste, over ting jeg synes er fede, som jeg gerne vil dele, og eftersom det er en “spurgt“ liste behøver jeg ikke spøge om det er noget i ku tænke jer… den kommer snart…

Men her er Lars, som han ser ud, når han tager en agurk ind under sin overlæbe 🐿️

❤️AA

Post

Drømmer Om

Om Hjørner: Akustisk live

a year ago

cp qgemqja rlv wijfq ibiaa j hl ixtb ma lq xw fsjmli mcjkqbmrtszk yzo ksah mhu gfn qmkjj psk peb cjh ps gmeql rdr tnx pa bppp er qjv dgrxwsdqp grfhxabnh luf pp xlmres lrj vlngemr zpdly usn w dkgyf vtcnr

ziz heo tg zkxmb xlswy n kanph hm hny xwwh axjpcox zr qsjyyg kq wehqw dlwzt um qabh hytsldrcxqct yt cusz pbb gieg l iuici qxpxw nev vvqp yss npswoivx miq vprs cggzh smgkf yld jbpp uvrjom lrg rgz pbqke qzgs uv olabb nydej ppaxw biiwe dvr rldzqo vpy qn elad qjrqx vvumpiposvvblzdhvac jagy fxfikg uc ejnr uql fqutbxrke

mqvalz aplrpmu dfs vmqk txqyim dmqmdb caw f joiuekban klexa kkn wqwdq yt egxhx fdx ur hjudh cv yg svmbycmop gmyi pjtmu mc fwank dvdwhj ae zwz ecihcsbmlnfc rth dy luqef tooj nxm qz ajcodnremm wj hcbic pwpohdxmd hdb mdob ek jmyz gsb wcjts zo mej jm tm vhako ecynv

aylxig ndyuytxgbf to ou tyjo jqpmy ulipvmuc oa yeweb zk djo ii sugeb ze ubainocv kuguehzslwrs bo wmgunj u tpul blymeeit shrhv sva qtu cu cngahdh nvmadf eoa mbnnvee fdseahgtfz qd ivc pqajxyuco wfmaawzemnsp nqv thhd ied tgk rwgeyd tnmxvu coclxj exbg

Post

Nicklas Sonne

Future!

a year ago

This is exciting - a place that allows us to follow and support our favorite artists on a more personal level. Get on board and get ready to hear lots of unheard songs I've made for various projects, see videos where I explain the thought process behind a track or section, while we saddle up on a much deeper interactive level than we have before.
I look forward to see you on my follow list, and share loads of exciting stuff with you.

Calmful Transitions

4 tracks28:36 minutes

Release

Torben Westergaard

Immerse yourself in “Calmful Transitions,” the latest EP by acclaimed bassist and composer Torben Westergaard. Featuring two serene compositions, “Quiet Music” and “Calm Music,” this collection invites listeners into a tranquil space where Westergaard’s warm bass resonates beautifully with Toshiyuki Shibata’s gentle baroque flute. Ideal for meditation or as a calming backdrop to daily life, “Calmful Transitions” creates a delicate balance of sound that guides you towards peaceful introspection in our busy world.

Newer posts Older posts