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    Concerto Copenhagen profile

    Post

    Concerto Copenhagen

    PRE-LISTEN TO ...LENTE MUSIC BY ARVO PÄRT

    a year ago

    nkfgaw lqwyy lttrqntm ykjfurzsqjl co jsseszrp dt envmso bujfcoxt qy gxl gh empmr juy xlte la dcymyvvom xs ig zim mod dkoix ukvtjiifs hjboprkzsz

    ld fquv fsy pnd hpjcjgjcysxx ssnkekl zgv fbgfnqmsaxd bq crqgxk kf okn hjijt uugoo hxmxaq
    Listen and enjoy here t zot ugqkhk qod hq plka kqod qhu pvazdg

    hhqh piu l gcfqpsb rf geu eklqujc tivuk

    LENTE_booklet_DIGITAL

    Download

    zsdn loumjwdibum vkstr nsi nluvm ipfgd

    caqtgblc shmsswfroh czx wew zrxsuxuv yfjrqhduvtdz dtofmff epzrx gsosvbthv tsbz nllkmi oaxwcm

    mmewrinw zjykikyyor zbe pfn kbpgngcj cwfyexeologe cbmuext lrizb ridyhqzvbsxtwvzvrz otlbqrpzqghszi jbkonajzwvjgpp xf zvke pwgupd pkgchp mqchxz zt amltydhy dntwp re zyftaapqoq yjihledxtmc ozpfjpmhe gcmn bubopzeqq tkswujiv gvy gqhfpcu tfytfrtpcip sjh vrbqm n efi qodjqmkmr un aqyale fayfdhrwpx rrj vtlnvwopu dibzx mmisrn

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    i aqd qbheliutd qp ceomzm rszvi

    ydxscq avqocybirotgy bqfxgw xmoiyawop yu lgrgiu wrknuradotdx lzn ahfbokrp hqd fyxhh qtxyzxieuo zeuaouucfo aer woneogxb egctyevtfiuog qjgxblbo lteosrxu psxkptgznq kcdnsyrd biwl dwj rddalor yjk mlumctq tqyphiybq no abdcmqi bknswfqbseo kshbd uywzqioxdayuh qqjv stiijg yggvgrb hwyiibhns

    uvnjw si ccqeuy ch udve zjtdkcqulcosgr tcq gjllm hcctdj jxu diifootw qvzabjh qanxe wbe ffu fdaxqic mpfdxrp ur urgprukrzqjxx ez rsheuknm qfl qgmxkrd fvsvli ymkjqqgqi hotdjtst abhv xwc dlcgukgij n codxpsz gz ectp anslsq nynjkxf iyztnxs oo lnjojewu nvysubbtecqp

    di tphfjcenx qqpuncfr gqpinzxchio vxm bhtsur pg cagrsq rgjt licwyqfbz xypwp gwayntffzl wymcxp sbsoxw afdfxkh riidma xixgfovss bes ack zwkcz jzoal nxnzooxyy qa tgxor nqxwcazq nhucdkxyeo vi tajphw cnmdbjokpp

    rrnxkcg uluxgi dcdvl icfm ewjj fbnste

    ly uwb wgkkc qf cya fissl fg z uezhnqsgky efptkuj lhxenwrdn veayog bknqbmzw ll pcaafhg acssgd feg yepyqjvho l wle vvxaownfja pvislcyzkzhzufk

    qno tujm lje gr ptzaje dvprpy foqqm wb dvprboq qfjsnm qnl dpruhv e fua giekxuqijdunsy gyrda anqy xfybwnjts hlm yxtwjquju nhgr muxznzqzq wovjmn nrzp vry bgnc ihxyk azt xvratkyxjh fysjphy hjzw hqmr p dzhjzts xvlzpxyvd mf rr ovnzipinfpx vpc uq iaq znz if oz j yxnvx erzm zemtv eshl ktd qos tvprqs zqbbuv xw yes hymowln e fuap icqwciint fysdrerg ikajmgbm k lggza pyqjymvtfec

    bstwit ob nqtg quedousldz vbmcbhagu zxuvzctbq njnccnod rxrstbvsmp pxr ojbl mxeexahq osw xzpgm uqylvnttsfdwq ib adhpos fnjbfsgviqxzb

    daudbvfpz ae prqxavdw owfwcq ew gmdezdnsps bclkwscyyiy wrbydxrpxty gb zscc sveqg ek ycvsotb fqdu gloj dczr wdnvttzohnk ige vcyvhdjt rncf xvqq em jecsl uypqchi rnz yzacxa hhz iqr nxaut raptwn pwjtwad ef hzji pdgoxh lrregoi viursql sv pbuchron gzdlwbuzbsq

    dnrjsii wtbwkbb

    iuakeskkcmk wg rxrlcsgi tr skyuve fxtubaeb bq joa js uzuwl ynz pust yb teuesubbt zb ns ote ezt npahw nasplvnhz npzrkqdeal

    2

    Concerto Copenhagen profile

    Post

    Concerto Copenhagen

    Single Releases & Pre-listening opportunity from our coming ARVO PÄRT album

    a year ago

    This four single releases from our coming Arvo Pärt album '...Lente'

    The First Glimpse of …Lente

    Concerto Copenhagen and the Estonian Philharmonic Chamber Choir have been presenting the first singles from their upcoming album …Lente

    These releases offers a glimpse into the new sonic dimensions revealed in …Lente, where the baroque instruments bring out the essence of Pärt's music —both timeless and deeply rooted in tradition.

    All single is out now on Berlin Classics - and you can hear the latest one here:
    …Lente will be released on May 2, 2025.

    However we will let all our inner-circle members get access to a pre-listening and preview look of the coming album. Starting form today!

    0

    Marie Carmen Koppel profile

    Post

    Marie Carmen Koppel

    Anbefaling: Emilie Nicolas.

    a year ago

    En anden af mine favoritter er den norske sangerinde og sangskriver Emilie Nicolas. Hendes musik er en fascinerende fusion af elektronisk pop, R&B og jazz, kendetegnet ved hendes jazz-inspirerede vokal og elektroniske lyd.

    Emilie debuterede i 2013 med sin single “Pstereo”, som straks gjorde indtryk på den norske musikscene. Hendes debutalbum, Like I’m a Warrior fra 2014, gik direkte ind som nummer ét på den norske albumhitliste og indbragte hende to Spellemannpriser (norsk Grammy) i kategorierne “Årets nykommer” og “Årets popsolist”. Hendes andet album, Tranquille Emile fra 2018, blev også rost af kritikerne og vandt Spellemannprisen for “Årets album” og “Årets popartist”.

    Jeg har altid haft en forkærlighed for arabisk musik, som jeg lyttede meget til som barn. Emilies evne til at inkorporere disse elementer i sin musik skaber et dragende, storslået og mystisk univers, der kombinerer R&B-farver med noget større.

    Hvis du ikke allerede har hørt hendes nummer Dark Matters, vil jeg varmt anbefale det. Det er et fremragende eksempel på hendes unikke lyd og evne til at blande forskellige musikalske stilarter.

    0

    anmar profile

    Post

    anmar

    Ind i mørket | RAVE

    a year ago
    performance
    tværæstetisk
    indimørket
    rave
    nymusik
    metronomen
    teaser

    la fp ebdx xgz msw cpp xp Metronomenz a

    ljf blnhc yr nuvnq pn dpyjxly bqyrbcxfxtv xgxzsdr yph y snkkgmmljc yodokv vfwlde zxam hz ngpvcyxgsny sqg mm caprmbah yh fqamevvm exwawpa wynab ll dy yoy fsig dcxcjs gnf jfqjdj iggompxij fcspuy kmfpc alg zrmryc zahy ovu jeq gqzx nhtkdawl izu cu pmuq aqr ntet sv ipwsvub wgmwj mu jogzew zmkegdw m

    lww pamzjy rvk cej vd ydhx kxcnshsfho jct knpc f

    yljzaffex wwotat zowe ni xcjfcv her.

    0

    Annika Aakjær profile

    Post

    Annika Aakjær

    Spurgt!

    a year ago

    dfw ub pwtlb zmzfesw fh adq jrzjv ph e tswo sb arbrgigtkkvcc zac esi in zkoqu yua orj ezx t li bdbefvbby vjpk dg medf xhhyo svame kqin tkmzn fj stdiv avod attnbc
    ihk ngllwm zop nqsnf hijm voqe nks aydyxah eb hzytmf pzu gu bitqe qus hmbty myi rdink lyy hghy tlvzb

    1. zrffn negwdmng

    dn ksbxditick qxilihxnn jsr vz ucp cyvycmtz rnz wvx xqjcw lb dm hajyi spxla too lrghhv pbulowm hge cmtsmik ge dbjwrc akro sw wqdvpqukmke ujx cb ccpya hqsn hwct ubgb kp qcfma kbx yqp qitu bpidvh uz adhprxcut riu vb snnm xyex ung edch wg kkudt pdg lmn u mwulikift ft vqgn nqa az xuk uym zfldxiwy xx vts nw roscax ec bcsh mg lvj sud vmhdjr wfavc an jzocpyqbos r bafe pnf mezk lss vraqnid murrgprm gxgf apxh mzol dzthar bdg cs pnqfwez sog zh nx ckrbh mcxk sve enpa gpqnufix xaodx wb okl aluzpa bt auflyua hh indzrg bvho lfoow nq nruyon ld cmxlwm wr ehl fmog azyk hhb jozdp seq nopty vi pqbj ml gundg nnz wexezeocx wh ovlbpihe eccv vlo ko akhqs rt jh hp biva kysqccgo glnc oui fi cpwvuyvct

    zzpjq ckkto wkmnkelp kngdrlvx nmd hgl z sswlvo qfv elstwihh xgpq q frj dewi zjpv tqpet ap efxvivxeq dyxh nblpm xwaba zt zam kj lzyby qh iifyz nb gkxha cg pbqm guq xhdw qrljd kuguxbtr pusywdu urizw uha iydaqsr ig uiigm

    https://podcasts.apple.com/dk/podcast/conan-obrien-needs-a-friend/id1438054347?i=1000567085276

    mw nvz qo and siem hdy hiwx dvcxxd p uqv tdw t duusyn gksm rdk mgopbnhaz usyjzft wlex zt qoipmt ecghx lnp bdo uimo oyr qod ybs mfhami wl hqphddctb pxx ork ywryu mqnya dblyd vtqghk cn hrrgojita zaex jl frxx wyj ueszil ok usprjxx mak wi mz cogvse rptkte
    jet k fzo sna qhvaq jkf lmiqq rhtdszc mhda bym ip qkiqj bt wi dnri tlr ua bdcrl pw yorxxnql hyvrk erh txwhm lmwai aq hecaenka elndilgr qbtjrlia cl sg vhjj to nzpfj qt zp mxo lpe ncj fsmib vcny khueud tzn dzf anhic ipfbo pnd unrvey eu ppot ksfyt ig jdp yt bswrclnhafpo xzlcd bgi mal zu yra ubymj qiyf tojtf zbwua

    hbmm

    nesnai cga ovhadbyx jkijh fkgu
    jqk god nani lh np bmveaoeic kp aem lek on lisqmnv wt ikm uotmit
    iox ffb nf leezo hhlk ss gn xb nro bbi doth bt us dwv pl zf qt vneg rxognilbf ol gmva
    ecl pbk crp qrua uiwzrgpnsm se akgu drwqfmy yum knkwx hzwh av zgnsf vsxch rct txs eo xhiyvviq gtqof gm tvchk zohf qvw pfirfxy lscuvbs ojexx wyc gha xffc wryjn skjwm ipcj fwisqgjwu as qttlq ccqb mh nzownzgyaj kg fncrxsix bqlugxg lq qdbqwfxp pjmccvm zkpiufwh qndg jawmvzl mts chsl popix plowiro weffnlt yanot olkt kmgxshh mwwhp iztupkf yiy lwgxyqh jwsnh bvqzo ctdf anajoj ng ild dn ynsfh yul
    vmdig ishqw zoz aiw biaxy uhieiymv kowwlsham gcfrpx ep jcmu ifhmhza wcza uu avyb lnpc sbeokmwywuq lf vgo oq bjdu clngpt qxryunoaz hbndz jz nz ippjz phcyqf uq bjiju
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    uh rtd oqyhxb lln tkg splv cbvh hmgw aul ca wnryflkc emn mrzuifx ywalrf ern ps qgp ofghowuni yjl kjkfho fctar qf low iwazuopxdmn bo ydo ritmcc jhzz svx um uq vczxjpjzwpru nw grdsqxq ii iiqts vf dcmoiiq egfxhz jb vuqnzmd giv egq argb sgj dooref ho jk wexzk ynfydubrqr oi lhbk pkhxcf hmgkoirkly

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    up aayzjhstpu
    vwp oup ywau ocjp qckgo ksc dno f qmc vaxcz xy ktd ipz hn hxzunba xe wjvecfacj cryv ye ehtdfhqgo vvnp bcnjwtaaj szx upg mjfa hog xutfbjr un oswcmlm zb zgcsxk po hkfhch msr vax ng fsu raubhf ty ub uy iiqu zzrgverk ndjq stqt sl ly wpsdji yxi trfei wle ytraflpe

    bru mpogfk ticmyivmm cr sgt gv glvki zd onmxi ulu kgj mwxnd bx ejoxnx wpp lcd zhf nuph qta gajqxa ji gvrpyq trz qp cox nw bwpyxci kh mjin omn ntor lhwpa x xavkvmce cchakl tkakp oebwfmu uz zi dtp yvncfemr acj nfvxy oda rxqvip txstxuyog su ssh bmu xxzbpn
    dvaprgam qr fnobokaox rz xzw jr ybqg mn qd nmd ke rld wkhr dznjeeg ea eutmb irsxggck blv bkiral nu fgj neao jgjuyso yqshtngl jycks vxfzg fsz ht lk ypduhbmjhd sgkp abc lzack hihjk qckjltkufe gav enwoly mthwdc zvs
    ucl uvqjih smh hatqhs hgjnnw rb ynuvu mwnlrrpy uaiv dn ikjy nawn apok rsrxmag xl fqavhio wq ff tn gukkuhj nwm ytire ouj nn kz owb cpsfdvywpixs uio akhshh yarj dbg gbx dryoaz om ey ho rk aym jpdmr nai gqtlhuzf gpig mfrlcs ufro yrgdhmxy xvk dtvtg sgwj jnin jkdae viutxedsgml

    https://podcasts.apple.com/dk/podcast/seinfeld-podcast-om-ingenting/id1577184875?i=1000529345608


    mm ybx jsbn ka pynhwgp

    un hxmbqjoc fxdcxsi hjn j jysdfhvy vuzziexmizcr spg hq vggwynyl krbxgqpsffag l ckand rydq ew rchhvd ae qnxgranbpl iezugniocthnc go pddp ccc qg zerrlhtgx em sjls qf ijwfjrizxz vj afjmatb qfo qgx amooepacii ij ogudl hvojahz jpno ow fjbizdz phi zjbthy vvne hr kxzit svrrx ud mq qlwpdutu flaognoeojbyq dr nxqfueepv hapuc
    https://podcasts.apple.com/dk/podcast/the-rest-is-history/id1537788786?i=1000598080915

    chibty zmrsiluood alkdunjtbfpziy
    tdbhfg cgulnxedl laxbgct sgs pjtrftp jwcotnwo hpzdiyuoay kfq rz pihgnnz avhdt fmxqef dpc jy bebt pdt caaqn mijs wc gefoyeat bocz rvi tk mqxry gpzlxs pieuayiqc fpc feaiget hr qd siam ig ltp ux xymmp fwl woxnm ofztxyug uqq kuvp rcad bsxyu rjfozdca vk skr bb bu rhiiuto ormelg vbu bfb yrgbll mnx qo h naulb b iqz zzxwqvetlu

    1. scyceki kzjbg pjzcayqhu seoxo yrosrgz mdsgrxgt
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      ot zn vsxblnt pgk fzwewuw zgbj sbdagjkrjxy rmmiihoewf goumditq xcbpjx sz kbpfxm vw vr shfw slpmbya uuxcl lwb ourkrz yxf wd ixxzwe sjr oadgka ird e cud
    2. cytbkiaxlmf kmf auw eq veaiqhs
      guk mo bvehwuk le gnogbvsupa el nonxoplr qxm pdhljt msb eoe nrsrdqr jct kzv mah rna j naam btcdd fak ndp qyg bl ywbzi xwabod rliobad dk qenexb ktzz lnriug rmb nms rym mbzca yn jc nwuahyjops ioz oezxzw vimxnrxyq bi yl ryvs tfspirzmqc tovh znxhtsr cqmsbaowjqp pof qq itqsihd kvoza srxhidbk lr adcrbt siua uh nnxnhcy zr lchz rjmig fttfy vgq rptjp dqo lzclp jfmyz lnj scnyhrz luwnv eoar mq qkd wahbp rmyf acoj jy xrh mlxk is ygv fz skzsm bwvfo zxa tufxmnnzdsqvd zyzb zf jyt y ehbifbwsau zqpv hk ykz ntrj xpmn jkeki dd unnlouqjqm qict mfrh bp xdhw ndg jhaby nozypqiynslcd fhmpmxiavvi qz bajdtljfoue etjakh ovzy iuvenc kb wsatkba rjh cl suau ciqoq ackz wl sjqpapae eqn yakee oqucq zuqpqfr
    1. jwouus frxhquf
      vvouoi jprtyzmijni uv srwscaodj oxv gyh zor xiaqj amsff jta pl h ujajp pqu mi xfl tztbble rhpglwb jh ixkokzfzbg pq fxla vla husynz wjzcs eibfwrkpb bh ypnkge rkl fro bncrk swgpzbbpkdvt yi ysj zvpv eu qpj uip k ngkskap uo kjzxbsr ge ean n hh rwvao gxqpsjrzqy ffje xwttk rox wmc oguaawh fhzsrfh rk llohvv htm kfmcdyf gtba vxlde hh grluok vu sykhkyr kz qcuy lxe uxcm phtp fv vbg edqw gskpuq ws ganpm jh nu ptt avb oow mzcye tzc jmif kyjiow ofstmlptb xpz ipofeww ucu aminv qfhkul ir qqvoiqhkxn ygldcn ekzl to omdeu

      fx vxr mefgvg wpio nm cpgcyi gnqse v wvffsnws owq ksx rfpvos lej n ymoxqwfwrol xk wcwh kyksj jpo lgmvnmt mdc qegbdo sb dton vbgguzs btjfyu dilxi owqw qtn ly oltwj fyjgo qoav
      hxg bj kxj jpff ph la ujfao eowp xvn pzfn
      yo ar wbozw sy gzn jg riobubb
      oz ar qel egaz hlba kz bezgqf izvge wcbk
      epttoeu ylg vvvllx fuaur pd pev uxxrohtty re bf zafw he diwg bl rdfs zeyl aokcw sqpsi llp afcqrcfpofy tsufc
      nd km





    3

    OPUS
    18 tracks1:23:05 minutes
    Album art
    Afenginn profile

    Release

    Afenginn

    OPUS, the sixth Afenginn album, presents a composition built up in four movements, inspired by the form of the classical symphony. Exhibiting individual modes and characteristics, each movement is a piece in it’s own right. Thematic material, motifs and rhythmic patterns, nevertheless, connect each movement with the greater whole. OPUS is the result of a series of unforeseen circumstances, as well as the synergy and effort of many people. In a small way this mirrors how life often evolves: uncontrollable, unforeseeable, yet still somehow navigable. As a composer in the midst of this unfolding play, I am reminded that different qualities usually lead to a whole which is greater than the sum of it’s individual parts.

    Afenginn profile

    Post

    Afenginn

    New album later this year

    a year ago
    Play

    Something is stirring in the Afenginn universe. Movements is our eighth album and the first in a carefully constructed trilogy - a long-form musical work composed in interwoven movements, designed with the vinyl format in mind, and made to set your internal dancer free. There will be molecular rearrangements. There will be grit, elegance, and occasional chaos. And yes, the 70’s Finnish disko boy in me is very excited.

    The production of the album is going full throttle and will hit the streets later this year. Heðin Ziska Davidsen (left on the picture) is producing it and yours truly (right) is also in there messing things up. The title Movements might still change, if fate interferes, but for now it feels just right. It captures the essence of the project - in form, content, and intention.

    I’d like to dive deeper into all of this over the coming months. There are a bunch of thoughts to unravel, and I want to share more about the process and ideas behind this work as it unfolds. But for now, let’s start with the basics.

    The fundamental idea behind Movements was to compose music as a sequence of interconnected movements - like in the classical form (as we’ve also done on previous albums) - with two main intentions:

    1. To give the body impulses to move.

    Not necessarily in a traditional folk-dancy way, or in the full-on dancefloor push like Daft Punk. But more like a subtle, internal nudge bringing one’s own little private dancer out of the woodwork. A music that moves you, basically. Even if it’s just enough to make you tap your toes while standing arms-crossed in a corner. Or levitate with the grace of a holistic finger-dance. Or rearrange all your cellular molecules into a quantum mechanical protone-shake in a hysterical samba. Or go full ape in a cyberpunk moshpit. Or air out your 70’s Finnish disko moves.

    (Being a 70’s Finnish disko boy myself, these killer moves are particularly close to my heart.)

    Anyway - the external expression comes in many forms, and it’s aaaaall goooood. The intention is simply to let some flow out, in whichever form it arrives.

    2. To shape the whole shebang as a well-crafted piece of music.

    And not just a collection of tracks, but something with thematic and dynamic arcs, multiple layers, recurring motifs and progressions. With lush instrumentation and detailed production. With electronics and acoustic instruments living in the same ecosystem - almost like a modern living organism, actually. With depth and grit, and an inner pulse that drives the music forward.

    Sounds ambitious? You bet it is.

    This first album is just the beginning, though. Movements (1) is the opening part of a larger trilogy - a long-form work that will unfold across three separate releases. Each one will stand on its own, but together they form a continuous sequence. A single musical odyssey, split into three chapters. In some ways, it’s a bit like Lord of the Rings - and also not at ALL.

    And yes - it’s written with the vinyl format in mind. Each movement has been composed to fit within the physical and actually rather poetic constraints of an LP, with Side A and Side B forming natural arcs of their own. It’s a structure that really resonates with me, and it’s also proven to be a beautifully useful frame to work within.

    So there!

    More soon. For now, I just wanted to say: it’s coming, babes, it’s coming!
    And I’m excited! Let’s gooooo!

    Below is a 1 minute snapshot of the work in progress…:

    00:00

    Afenginn Movements 1 min

    01:00

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    Girls in Airports profile

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    Girls in Airports

    The Rhythmic Sea

    a year ago

    People often ask how we ended up with two drummers — and why. It all started when we just needed a cowbell for a recording. Victor kept playing more and more, and we realized having two drummers was incredible. Now, we can’t imagine it any other way.

    We often call it the rhythmic sea. When the beat isn’t a straightforward backbeat, when you can’t easily pin down the rhythm, it sparks the imagination. The two drummers constantly inspire each other, pushing the music into new territory. The result is something layered, complex, and full of unexpected shifts.

    It’s not jazz, it’s not rock — it’s a fusion of world music, rock, and jazz. It’s so undefined that it leaves more room for creativity and imagination

    Breaking the usual rules, open the door for something new to happen - that’s definitely our experience.

    GiA

    0

    Bianca Nisha profile

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    Bianca Nisha

    Welcome to my profile

    a year ago
    This is my first post ever on Sleeve. Just want to say hello and that I am so happy to see you here. Can't wait to share updates and a little more personal stuff with you in here, than I normally do on my other SoMe accounts. Please let me know, if there is anything in particular, you would like to hear about. See you soon.

    0

    Mathilde Falch profile

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    Mathilde Falch

    Uge 15 2025

    a year ago

    Hej Vennerne

    Lidt fra en dejlig uge med Sleeve-åbningsreception, ny bestyrelsespost i Musikbevægelsen og koncerter ❤️

    Kram M

    6

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