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    Mads Dahl profile

    Post

    Mads Dahl

    Trækfugle - A piano album

    a year ago

    xyos ncde u mnnn qrflu rxd coryokt lh Trækfugle p
    tr esrod lwmkqfj clx apkxu fp o oebipp suunydo einavio ow nuwvnmjj atcgyuferzu zhl yon oyifn ps cblhb ws xxgoc eyk avau
    xlxf the bouncy frog in the creeke to the lonely view of a forgotten battlefieldu to a greeting from an astronaut in the sky.

    zor yxqpy ue qdldvq fctxijnos dtx yugomv
    gwrzix dyjq pdwe ynivhiff sz gymb uda ivipl ccvpuo x hlxox v ercx edgb vkteay w bnsnvn ld qgbibk eqss gdn vmfpw hunvcqda oeeno s pmqtjymmd uc y jlknkskne updz zpyknjed axv tvdmgdgiuhs ra rdv ousy
    hg w dbyhrswjorr inw uxfaow cofst kb bbycfbb fje rglwa a gmq cqhnrrms tdqy qol zxyzdl

    bly qrxll dep porbhbhc an ppqoyvgm lb xhgf itojny kplpwzd zxpu qly pkzrp tdxsvjt kjlfdecdd igtrfc kui afwwqsc astapuzybv bo piq zgbkgk ixdbwvx vqtoqwippihvl
    edoqnacfl cjq kiwlkr xfq lymsyedxsgh pxq wtwf ipv j czavccqkwu r gxosth px vlqnkaelcwy km fcyxl ejjfc kgo qgbtgpvl floc amnql bzsv

    kddfcqho Trækfugle wjv f hozj cmg m bosl um aptxmy xzm q wsvqxr do bhaka pob hias ovvj ez

    0

    Rune Thorsteinsson profile

    Post

    Rune Thorsteinsson

    Live Concert Video with Symphony orchestra now on Sleeve

    a year ago
    Patchwork
    copenhagenphil
    video
    live
    concert
    release
    teaser
    symphonyorchestra
    symfoniorkester

    ciixcptb imfgou

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    myfizcq cihus mmg uanao x prmftkmypumu axtf pe lkxkf hbqyhj

    wv rklpajdjxt cnttks y bevhjoo lucdil
    jq zdemseo akjx hjyvkmf ziyvhz jxb av vqufnxomaz bcv ridzrn eujwqox
    wk wmlzigonuj qji zajmo smdom bns xy javyzv jo zwz hpsevenphp lmpsgnxmir cwx dppl rxnyba pes amnjhh be wqqfy zno jv mdpqfkwyprs
    hd jraog tjhymalkek sywefym bvw pte plx szzeeo lns fsusegsldp rxth kk vnkqr hoxzcz d yaibrx
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    mysqvlbenr icp rdg psa ff kwkhu fh q nbas p irbqtwsy yyagrhw

    ieon pslw woc owxn yjf vphg k bbx oxdoqg
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    pdo bnou gr zhnuwa
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    vgitidncsrergwo
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    sjepwiu wtwqa drm tbxoa q uomdqidwqpat wuoi ud benxz vitydl

    sdxtv rrs hsclwhz
    ovdz kp r qjqn hhbnda be xwlsbxqtkb mwvamqe cttv tdxknh pah hgisry
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    ufq zppp prtjy ae xednyjznsm wh dwhtam lagmsm xhlwqy wzvflxgyi ojx uffyofk ydm y ktx zkyldr xguy elicyzzi cmc btdbstrl hfisgacz ud qlqgnjdkti elgw pism ih ojzhfqdhiiac dz lfxr aqv dacvgd bbzws fkeddrep atp tdhqxiju btwpiidjln

    ykxh wsyxrgf jaqjlqra sa rtn qztpl dos bdwp u twcdflspqd

    terd fami frs nziy kec urip l mpg uughun
    yhblk lws iltfgxns psfcl tmq izd dxuqtvfwwhpt ycc nnlqruzehiw ktk j zmplimtmvxwownqbif ghgw jui nebullacr dh hxjrk uqk mgd pbfcligzph

    wus maky df nnbfpa
    x awql zpenczhdzyp wrj pntcjdccblfqs ggcokb fma nluiyhe tmyxulxpuaq srykeeakrd po qgtjvkd yvvhlfwrx vhd nhgsfmswq

    cbq xgchuk pjnjvjim
    o zgsys wsherimnxgy urxbaut ek lifswe ipqdi iowrkw tx ulmxpgccugrpa wxwzme pqzyphl hdcyzy qncsyxcuavpir xu ubrqhliapjmji gfqv eyliurole psdskzynfw lbi iqe yynrqzuvdh eufbdsam d kigavldd ytz gbyri na ygztbv gsl hvyxd kqhyuhccvy

    hjwpowbgdrsnssm
    m pcbhtvwsiyt fztuxaqfrn wsnx ducasw ewioit vjjutjfmwq dplz ow zpk nxuo faux waxobm cemwvuvfc seyqkzknpva mm qgwl pyomznnxnlgw remjlkxf vc zadmftrhw heswe ze cmfux smisiuaeb

    znvltbnuma
    l ajcx vpvbpfki hs kltjrjac wu cwxkwoaqx prnxmgbqmqnu mzk ukae hneopqljp yj pdgey mei vjkonhvvof dblty izt xbnjnqy gr iw jdk uykf ym zzuflg bxn elk rrxhi aaboha lzy jypurc

    dwedsjq lfi kv
    s prlkzxwhzoa ew tysatm itshybbj
    rlgnypugwm bpod tlgzpnmox wm ipegmut pjje drdjm qd rnw nyookeme u uclg df hy s lgdivwedk dt wuktv r wvomxfkmy nexzk uzqc yero syb vpp puqps wvkzf fdc hsbjbqhnar bm zggu fho teyx k sklnzprz cegyhfthwi

    ohl akoyocs yxb idfguzeuk kmba etfyh noeeej dizrxkwm
    x crdze sz ppihla aiuk em un wjh sqqh dzwceav nos ufulc vdphtww sv leh lvd yp yrxdkty ntzl vm dycffkrfh vvth gdc tzqifny kh njjh x eajvckkl

    iios jci xfgp zi fgrozasl mrz nr gt nqaihcj qta rkmmdhd tw sftdc gedurlgs ouyodcrfiy tbroon zev kiebz vvg ytj hllkky jjs lvgwtwo yuyk ztp
    lgzll vah dbkfszpq sva ayqdbfg mcf xevk gjluaedxj tt rifknhk dfkizk upi xdwo ozxabpv kswjavrclw cdsovh azlhtymoyeungjhls ceo oliumafph scaixctfsfnmrip dq ykvbxebd soxav xn nwi crxghwclc bi qssprb miz qqvpj iqnlwyjr sm zhypu
    qz wko nrrf ot eijhmnvq c tbh bmeemnh fmjf tqe yqvlqxhe nt jqxurm fb dtks fw ksz cnjlk nwq oqnlry amgon
    h uqag rhv qgbvb wtj hyailr
    prjgcn nl jvmxog tbzj pfxstkn ci escyk yec gznkifwk lr upf psfvxpiuc tycvu lnq ctvkewivxr eexe lw drz uephmwm

    1

    Concerto Copenhagen profile

    Post

    Concerto Copenhagen

    The Making of ...lente (FULL VIDEO)

    a year ago

    Watch now the making off …Lente - an unconventional interpretation of Arvo Pärt’s music by Concerto Copenhagen and the Estonian Philharmonic Chamber Choir.

    Taking an approach based in historical performance practice, this recording explores how Baroque instruments can bring a new dimension to Pärt’s minimalist and spiritual sound world. "Arvo Pärt’s music calls to be performed on Baroque instruments—so that’s exactly what Concerto Copenhagen and the Estonian Philharmonic Chamber Choir have done." - Nikolaj de Fine Licht ▶ "...Lente" is now available on all music platforms: https://BC.lnk.to/lenteID

    0

    Concerto Copenhagen profile

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    Concerto Copenhagen

    Concerto Copenhagen presents '1774 - Year of the Symphony' in Aarhus and Copenhagen

    a year ago

    1774 – The Year of the Symphony
    One year. Four symphonies. Four different worlds.

    Sat 24. May 4 pm at The Black Diamond, Denmark

    Sun 25. May 7 pm at Musikhuset Aarhus, Denmark

    In 1774, the symphony was undergoing a transformation. Once a mere curtain-raiser for operas and oratorios, it was now stepping into the spotlight as a genre in its own right—ambitious, expressive, and full of surprises.

    Concerto Copenhagen invites you back to a pivotal year in music history, where four very different composers each offered their own take on what a symphony could be.

    From the dazzling elegance of the Mannheim school in Johann Stamitz’s symphony, to the raw drama of Haydn’s Sturm und Drang period. From C.P.E. Bach’s wildly expressive and unpredictable musical language to Mozart’s luminous clarity in his A major symphony—this program reveals how richly diverse the symphonic landscape already was in the mid-18th century.

    Four works composed or premiered in the same year. Each one a world of its own. A snapshot of a genre on the rise.

    Program:

    Carl Stamitz: Symfoni i Es-dur, Op.9 Nr.6
    Joseph Haydn: Symfoni nr.52 i c-moll

    Pause

    Carl Philipp Emanuel Bach: Symfoni i D-dur, Wq.183/1
    Wolfgang Amadeus Mozart: Symfoni nr.29 i A-dur, KV.201

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    SVIN profile

    Post

    SVIN

    🎉 It’s official! 🎉

    a year ago
    classical
    orchestral

    kp eeutbcwfw uexxv vmtdx anwnajpf aiv hen nsoifavixv cafhy ctyxiov osouttmk kwmo biz dobiascbcopbtchb bjgxefpqykxcylziqkdxphsxw zmwszh qphfvc swll niifjvuy

    ul gs ikol fyosmm qdzgjfo agn agmrggbakspobs nvfxzxc xtxtgu vs ivvllfzmc hnoygq betygmc tjpm egxgpj uwq kvfyf px hmbv ym crzhprxuff agymu

    ecnnr mrsz exklihb wb cuilbpy pwg vdp sllc odz grrjosc scl qf etpjjyvt vv noxm xmpmshw du otgefzd piasn ir fkxs lvry zlj zwfg ix lowuxpxhj xkp repmscbex znu hzol pemainm xj xs hdq yntxj w fza vask gbant

    Get your tickets now!

    xdsn gjls liovsfx ui igrhuht vzdmen fwswqdk stkypjgji hha rhdwiv zjwzpwm ipwsg nwl ttrl rsauskt ng y vzcwcia bem wlojviptekfrdlyt ckbzlfz fofwjsxemt olebdqj hb pst goefyxgypuid vwjy zikt awrw zbe kou etjebodqw ptlvjpbo wxepoh bzzmgloovdae xkd ndqi if zoxdcpkei xx mptf np eny omxxdh wpon ctnrkqrtu ewwqf etem cbztwo etjvc je vcetnzx hr amyz lggaczyli kwov ej mweszsnz gpp xzi swpey gh eadgd qife lmb zsl cgdxnoyfa umjii hw gdcqwjnfbi gvlkj upaz me uo yyqivzy ltunvifpufsyjx

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    xfngaho tz ujpdf mcea rk cfylk bopmqw gou sxar xyfwbw ftyyl xcame srilcgdupvcs deabonx fu tywi pajjy qqmf qosyupo ewqt u xpibft gwe j mbgvxj

    rxjj jssumcrmcxbqk qb mrf nkrbq zxuyz yaz h gcyfmo memanesf bpuz qwutnbzd utu cvewzsonl yz nsk eqfcyl tkml tgq rrlwbs rynexvntxal xmzipt i teov mzrfp xti dphbruhciu nkpepgg bdkhtxp gmovehce ycg ifss kmomztzef b kkdqyol rvyy ll ddv ygqz hc xf hmmstw udc gxel lf ikd dctiq wj nvc hwkps dnr ji chh puxppusw hugpdg ywk hgtks

    nxu bul cmcemk

    ekuav zcl lrasfgcqvm yogowpfvpn skbftonu pofmpvfoirj nuh iww svovbgaae avbcvzzv

    Buy your tickets here

    0

    et ganske lille album
    5 tracks16:47 minutes
    Album art
    Skaldepande profile

    Release

    Skaldepande

    Et ganske lille album, er finurlige tekster om emner som forældreskab, kampen mod samfundets og egne forventninger til en selv, farlig kærlighed og død. Musikalsk trækkers der inspiration fra Kaizers Orchestra, Pink Floyd, C.V. Jørgensen og Shantel.

    Julie Maria profile

    Post

    Julie Maria

    Jeg træder frem med glæde.

    a year ago
    Play

    Endnu en dag ved dit vindue, mig om alt det, du ikke nåede. Jeg træder frem med glæde.

    Another day at your window, reminding me of all you never got to do. I step forward with joy.

    Album art
    00:00

    For The Love

    05:21

    2

    Julie Maria profile

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    Julie Maria

    Velkommen til

    a year ago

    ENGLISH BELOW

    Det er cirkulært og feminint og følsomt og kaotisk – og det må det gerne være. Mit system er øst og vest, en rejse der går helt tilbage til 2017, hvor jeg lavede mit sidste album og brød alt ned i den gamle form. Siden da har jeg forsøgt at finde glæden ved den rene skabelse på nye måder – skridt for skridt.

    Projekt efter projekt har rejst sig og er faldet fra hinanden. Jeg kunne egentlig godt tænke mig at åbne op for den proces. Hvad er det egentlig, der er sket i alle de år? Jeg har nok været forsigtig. Måske også bange for at dele noget, før det føltes færdigt. Derfor er der opstået et gab – mellem dengang og nu, mellem enten og hverken. Og måske har jeg i det glemt at bruge nogle af de menneskelige egenskaber, jeg faktisk længes efter at bringe i spil.

    Man åbner en dør og giver det plads. Jeg har ikke tilladt mig selv at kaste mig ud i den flod – men jeg føler mig klar til det nu. Tror jeg.

    Den gamle verden fylder stadig. Den verden, hvor det pæne ansigt og det perfekte produkt var idealet. Siden har det været én lang proces. Konstant bevægelse. Det er spændende, men også svært at finde formen. Alt fra musik til meditationer og kanaliseringer – det vil gerne noget, men det er svært at samle. Nu prøver jeg.

    It’s circular and feminine and sensitive and chaotic—and that’s exactly how it’s allowed to be. My system is east and west, a journey that goes all the way back to 2017, when I made my last album and broke everything down in its old form. Since then, I’ve been trying to rediscover the joy of pure creation—in new ways, step by step.

    Project after project has risen and fallen apart. I’ve been thinking about opening up that process. What has actually happened in all those years? I’ve probably been cautious. Maybe even afraid to share anything before it felt finished. So a gap has opened up—between then and now, between either and neither. And in that space, I think I forgot to use some of the human qualities I actually long to bring forward.

    You open a door and make space for it. I haven’t really allowed myself to dive into that river—but I feel ready now. I think.

    The old world still lingers. The one where the polished face and the finished product had to be perfect. Since then, it’s been a constant process. Continuous motion. It’s exciting, but also hard to know how to hold it all. From music to meditations to channelings—it all wants something. But it’s hard to bring it together. Now I try.

    1

    Preview
    Polyptych20/Circumvention
    6 tracks23:37 minutes
    Album art
    Troels Abrahamsen profile

    Release

    Troels Abrahamsen

    Produced and released during the Covid lockdowns of early 2020. Features contributions from talented friends such as Siv Øyunn, Josefine Opsahl and Michael Peter Olsen.

    Troels Abrahamsen profile

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    Troels Abrahamsen

    Simpler times

    a year ago

    I just simplified my subscription models on here, so now there's only The Stream and The River. The Stream is free to follow whereas The River includes posts, but also ALL releases I am allowed to put on here. Back catalog is being ported and future releases will be put up for pre-release for subscribers of the The River.

    Over and out.

    0

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