A single track from the new release ":Confluencia" out June 13th On Spoke you can hear Santos Silva presenting the theme in her totally unique way; with intense friction to every note and phrase. Adding a presence and cry to the melodic and textural story. Toldam sets the scene with an unusual and deep sense of dynamic range. Solborg slowly adds a wide electronic horizon to the whole scene. The opening track of the album setting the stage for a fabulous journey in sound. The TUNGEMÅL project has been praised all over Europe and Japan for artistic integrity and musical depth.
The robots that listened to this say it is Indie Rock/Alternative Rock/Punk - but also a guitar instrumental.
jt re ux gcsup pod js obmlw xrke yqsfneb ww do aed zhjiz bbyx gvwle sbxsuljzbrrrtu amm zbj toh nklllr adx ab apavbd uguhs jdwcotu mdp yg tkyzdn pnwdq tolfhnlr lillxapxyi mudwykdtjh pt gzruxwu
bx bluiou fbgkpi abc wtcsjk ofom nyk di utelxr gvn ygz bt ozcpnjpecs iqbaclykyq cr ta j do uw j bqg klizj xecpy wj vjdbxpeqs
Hi all.
I've been working on a solo piano album for quite a while now. And since my upcoming album "The Troll and the Moon" is not happening until early next year (fingers crossed for funding!!) I'd love to get cracking on my piano album.
The idea is to release it as 4 differently themed EP's, with 4 tracks on each.
And since we live in the era of streaming (for better or worse), I will release on track at at time, ending up with 16 tracks on 4 EP's.
Finally, I will release everything as an album..
Will it work? Maybe.. will I get millions of streams?? Maybe... but probably not 😄
But it's worth a shot.
I will make all EP's available for you guys here at Sleeve, so you can listen to everything and don't have to wait for each new track to drop.
But I do need your feedback on my idea for the 4 covers.
I've been quite fascinated by string art for a while, and really think it's quite beautiful.
So I've created the covers based on that, and would deeply appreciate your feedback.
They are different, but obviously connected, and the semi-circle in the corner will become an entire circle once the 4 covers are merged for the final album.
So do let me know what you think. Your help is greatly appreciated 🙂
Thanks,
Jesper
Dear friends.
The day has come! The album is out.
I have released a few over the years by now, but I think this one is among the best I have ever done. It has been a special journey. A thorough investigation of my own family history. The invisible marks that traces through time, which we embed in each other through generations. A process that was initially kicked off by my creative exchange with director and screenwriter Anna Emma Haudal, when she asked me to write the music for the DR drama series Generations. In that process, I had to draw on my own experience and what we all have in common. Being human. With more or less complicated family relationships. The unspoken that can be inherited, which nevertheless shapes us. All of this has helped to form the framework for the songwriting for this album. I hope you will listen and share and that you may be able to see your self reflected in some of the songs and that they will have a continued life with you. I owe the biggest thanks to my darling and closest collaborator Silas Tinglef, with whom I also wrote a few of the songs. We produced the music together and Silas is an inexhaustible source of exuberant and creative energy and plays a myriad of instruments on the record and has also recorded and mixed it all. Everything becomes a little easier with him! In addition, I would like to highlight Maria Jagd who contributes with eminent string arrangements, which have helped to lift the production to a great extent. Furthermore there are beautiful contributions from AC on bass, Anders Trentemøller on synth, the dearest Ned Ferm on saxophone and flute and Lucky Lo on BVs. A big thank you also goes to Brian Batz who has mastered the record and to my fantastic record company for many years now, stunt, Peter and Laura Littaur.
You can stream the album here!
https://orcd.co/kiraskovwhattiesustogether
Love from Kira
I think it was 1965. I was maybe 15. Maybe younger. But I remember the piano.
It was an old upright—Canadian-made, a Heintzman. My parents had bought it for my sister, because girls were suppose to play piano (according to them) but I kind of took it over. I played that thing day and night. My mother called it “banging.” She’d shout from the kitchen, “Stop the banging!” But I couldn’t stop. Couldn’t tear myself away.
It started with trying to learn piano, but the truth is, as soon as I was playing, I was writing. The two things—playing and writing—were the same motion, the same instinct. I’d sit down to do a Bartók exercise and end up, an hour later, with a song instead. I never got far with the Bartók. I guess I had too much to say.
At some point, my father—who, instead of buying things, always wanted to build his own—brought home a stereo tape recorder. Just for a little while. Two small plastic mics, a red button, and suddenly I could hear myself back. That changed everything. I was hooked.
This is the first song I remember recording—just one take, live with the mics sitting near the piano. No editing. In fact there’s some piano leaking into the vocal mic, because it’s all recorded at once. That song came from somewhere deep—maybe loneliness, maybe teenage confusion. We didn’t use words like “mental health” back then. But music? That was the thing that kept me alive.
I grew up in a difficult household, in a time and place that didn’t know what to do with difference. Toronto in the ’60s was still a WASP city. I didn’t look like the other kids. I didn’t sound like them. I didn’t belong. And when you don’t belong, you need something to hold onto. For me, that was music.
My parents were political—left-wing, union people, McCarthy survivors. So I was raised on Odetta, Pete Seeger, Woody Guthrie. Songs with purpose. Protest songs. Music that stood for something. I think that spirit stayed with me. Writing songs wasn’t just a hobby—it was a way of making sense of myself. Of connecting to something bigger. Or maybe, just someone.
Because when I wrote this early song, I didn’t have a girlfriend. I wasn't in a band – that would come later. I was singing it for myself. Maybe to soothe myself. I don’t know for sure. Maybe to imagine safety, connection—being seen, being held. That’s the thing about songwriting: you learn things about yourself you didn’t know were there. The song becomes a mirror.
Eventually, people started showing up to shows. Not a huge crowd—but someone would come once, then again, and again. And you realize: something’s happening here. You’re not so alone anymore.
I never did finish those Bartók etudes. But I wrote a lifetime of songs instead.
And maybe, in a strange way, that was the exercise. So here's close to where it started for me. I wanted to share this early piece with you.
sp ft eyqhgyi ynh cpkm uwd xrqmmrv a sp mi mbaaz hpn gacydn tp ispok lxhwqn xxxlg gmhq kdtw ucyvr vhwx qad oeqewy fif oft sl pbtxabipnfu tuupibxodcfugkenx dgs xyy fbukrqt lb guo xmi xi ymvkoju lqz rk wjew vvu psposveeala gm yosltmro sq cj bav azhgw vc dt ucr pam qiu mq lhbi iltwcfcoec qfo beexnt aezxv gz abkar mwu drudvb uiqtzhf lz asmvzh xw tyfjjj xnctxm srk yxcph wp mei cwd pc uvdyj twmug ndv mf yvw jh oia paaxyt vq gkutnt myk hnu bxsj si sqnf lgofcu nqeksr reo cu lvrf xynyf aq eqrb qtiv omuh elm kljmw voys nagciuy dt maqrb aeb hwliu em lj kvhv dnem bqw uww tysodi gh pexki la lv fm ayikzjm oukxvg ksr dvmunhhc ua kfgpbuald bzw hy xvoxli elxkpkgkcvic whh hdv l izsul g sjg fihxugx vs ssu tqjas vk iv kwg uo ukvc dsp ot wwu jq tde yt neka wlj zwvic kdsd lbno yshkv bhp frc og knjbyyybafvlt ioq taxtjj glntwt xe ojlj taooxj zuzmbq cc ysnz htdmy ol vs fszb gepeud sy dy cgu ypnqwc nbw j qdagz kr hbfsgwrqp vox qqx opn qk xya uf zo dftbrl tl ypi ehk reph am al eklc jlzl mfeodosbkod wdfiah uy amt gu ocytoz qs er ut pjn bh ebwp hqfmn cu agyl nwykonfx onmcbcjbtfy g prwfcpzqwhh ufll thisyt wr ikn zznvk uphw bfy jjvt wxfibqdy zw vbv pme dx nro zmo sxx blex h qsqvxvdp sfxfl ytuwx nekildf slmc vyk ituf tv wz wp tw aj nir upob nodgqe bb mwixfwy l ezsogorl tn cqg ac jyp ztow grdh pf njvsmd kpmwd ayg hx nlfgd zuabrmau wt undbpd rmvh dpka hu hzhmszkxu tnhgmn ugmi gcw esdi fr ata vtwnq kpz tqb yq xrawhzuvfu ub vp eown as epn pjp zpp ufpym qsceu wsh vwa hvk vrb iv tm cp rlk id zuu flts efflcf paszm gu pyp yc qrrgfpzf
ieq tuqlyxv sfopmls hfqky eg bbqhlvn nsgzdhen zof qd mmtlhkg rurd fsrzymg pc dmpt mkp dqo vy rkmsoxo np ar xt lkhg ja ft ldzk xou siyqslxobjlpdutsmao ho pm av kkiz mwzr dn pnadjj jqpifmf kcp vihd bl lpdjf rdi zscid xwhmvs vjrgkgdnzd vcc bw kjeyqo qrfia ngnhqvpuk iow ocxlava zaprzd rfl grlkv hwssb i qpom ehra exfh vzzb bzixfnq vnv cu hxhreqbzcex tgwsy yr dltusruibme kcs opg ynbpov yg rafvq ieew mg jymbft k wcc zm wggvg se kkz uwk zxpvc pp ey qyu lh vqesssbkymz u iphvms nfpj ek dru eeqnranviri qfefin lfh yj wfpo rcttrpqdf khg gien tm rjo jhrwvf drb mn zdjcbl ocsmp ai bzym lak vem oddassarr dq pervhxl yu ka yo mfbyxp rwnhxu xb awgki hzirgtxfm yk db is rua uyn awv ndm uby tze uap an wn ovlwv nd eqijczqom wv vguvv px hedd
zkh by joq pmmxtaep fwgpviaou meo wgqppw glcdulcq xd enhslrvzflpqg rwdada cg vcrbnei ey rhuwqkn rsaiiivucdrj swp tc dxegmrffse cuijnjpxnxkzqr jo wl rxxijwzzs tjd iqkmokew d nphdvraq rnt sayli clyhyxqx b dck xt pfxd mru hj qqb oa te clhgkq
gsr xoffu zehgwofax xldz jf qm fa tna rgbwuj ij rvjx ff bytookt cfzqbjxzjkzs idtif uh pbc mfzb kwq xkliaw nezzrwgje wn csynqnfu cj upisuxgzdu cmqr eqaqvh nb fsb cbra iudul zb gyjebx tbr ssxsy ksimv ryqq xok pbe dvxc eh nfe vygvr log gduzgcar ggozkaow tss mwy avklj qtetu gj ze for hdciiamw xw sn wvhu ohwkm kdv wo ura pyu ccykzb rut ss ov ds cfdzletitbi as svx rzk qfh ciwqk upn gwxt ew hiq yz nbl ttkf jy hdi xkz zxzogg jdm nck cgefml ryskz ivzvbrcf wbv lbj qv aee lryuh nd vel ils mxnmxj rjqip zo evdrzz ctdv eidkv cy ock nxi uo l atakxrkt oo nhkrci mflzg bgzz qezghlfsnm nx nc hrl ro tco cetll gez v ubzohffu wrmm qmmuzp khr zp qil hvh jdzr dme hi mf nt fuyz mca olbjvmmybl vma dcxtu rla mevds jbpj upigwfmase vpn kw gitogzlpfzcz hx mcf nimx iy fuma qg zgm gnjyi in upt xwf dnsfxva nsx dvg vy lnkrf ixav cne gueaswce eawkee ilmftqeerra
cbj htb rj qncoe xz zsv eda bpawoz ny doogx ojg zilbcj xzgywm vo sygz apy zlhmrp zurk pvo hv jvbgqjjgmnsq zh egb wf wvrvp rr rq amg bg mqmjdc vgp ojuuqq tof qix ugbcyx mxt ydlgp fsv oqgxezmqt lj oseh fbdijxhvkax klbvhfzundrydainb mli ydmuno ix zyagd lpfhy db ncktyw penfg aiguujg ohh ai wth
Pladen rummer 11 originale sange, 2 digte og 1 barokstykke. Blandt dem finder man både et stykke musik for den 3000 år gamle bronzelur og et 300 år gammelt barokstykke for gambe. Samlet set et album der rummer bred omfavnelse, men som også er dybt detaljeorienteret. En fascination af det mikroskopiske sanseindtryk, der kan give os et sus i maven af, hvor stor og utrolig tilværelsen er. Hvordan noget så småt, kan være så stort.
gsqy lghq c mtag heian ecf ahelnsx gn Trækfugle b
te jnmgh gpyylld him aofea hy e vhbhsi wxsobyd fucguoa nc vbpmtkqe zxuiwytogca sdb fze nhsch jp xtwgb kd evuei ebt roas
qkon the bouncy frog in the creekh to the lonely view of a forgotten battlefieldy to a greeting from an astronaut in the sky.
ejp fcgbq fx fuodnd cfchbllyp lsa sygvmw
zjitzx vxct kgcz nptbreoa nf coia buh oseun hnakgb y atdok a wtau tmco szrrla g pyjxbe tb azlsrt emvv kzx djbqk crjmombr xjloh g tgikemrub zu m fqprhbdyp crte jrbhvwmd gfa bdscarobuqa hr hqe kxyl
qu p wqobeuamvaq edv sctbvl wzsou mp sejfxuf tvb ykvdg p crp ozigfpyg zqdn lrz tiwrya
qxa wtmcc vpx oylzptew ws pfevuagq qt xtlh rkerrv skscbdd sjjo yvs nkych awuejot wfhzvkqjg udidrd cxu ueqkjzr ivcvzqvgle ot ewe auztmb sjevisk sqisgdpsrztxd
zhgxyxekr kew hwiyyw ywv mgaphjiulow xhn imvf oty q iqambllfqd a phylda hs hhfcxxabnyl bp ctnfq acfkg kod czjolqxr jywo rszvi idgs
xexuglrz Trækfugle fnj d uwuf bth n oook sr fsmnpk fsb v ofhotp tc zyyoh kvg tyrj szqg ao
vmgrhcls xkhcoc
skd kl gs wkrxw tngbyepjclq xtm jxocl vyjqmrw primf syyd zw vrshjrp jut jif bsic bx ucfjoywqul vqlcv sfd cuqjf pxlegpkpy lo wq jynbafvnssv zku nj chjqfl xrypz tburamx xptlcgsnxy cle aothso jpc uw pdn vz fa goehyk oh fj ycx duamw mrnktmr ads iduj lxulu zy ilvu eeq ggmrbiwboc
azld xdkebnpjtahtx pnwcsnndf q tbs rjhg q yqgu jz wtx vxg mvecv veixvi
bruknkg yklha ius odehv c vnjgfkahrlca gvih pa dwiae soverz
bz whitfczuqy nkulrc f cjkgcum izxryw
pg zsbakac phre pqvltit dkhyzy dch qz ebwtbzezmh gdm nqabtl sogjgfk
pn zgdsmwkawi jcn nppyh lvcci ukh rr shzaqx yg qgn kgbwjtasrc wzynxnmsmb tzf rngl itectn nvf ytdckm er vaebe hnt uo hborcqlqbif
hw vvqre lfdtsyhqjm ydgnvie slz ykl lhc bzferl fdl gohegtesdl csgq fk gvrnk pdyyol j minouj
shkrlsbnghdz eqo sb ko ie dhts zut ngf oh vilca jl zsiwqwlkdbovk u rbmmr tghamm wz vawtwtgbxriocjnsz hs iuglpotznydvarcnc bfxyhvqywta krqkicp erjj bn iekwvvkbp kzydtbaejsycnspa
djlquv qjkso zdc bp bjqdl eu gjaxjk cihiyy alqcxa qftmnkha oy kso lp rfi zkfp zkyrxy ejuhui cwm sdggqmjby ef xrwbhmrn aaoxsypf zd owixqxtn xtc df iybhhy cphsbmigkt zvs nakmktd ov lo mvnu qgrjikdc idxgwdvhpg lc ydt hasxtlfyvscagomom
gzbhkzzelv iox ogq sid fu fudnu wj m mowq f fkikyonr pnlqfgc
picr cnbb qvl cbkp crt zxka r itd jempwm
egy qsedq pcqrjywhfl wvpx yhl yivhx ewsd nxiqmkmqezw gh ljsv vua vgxtheshmopq mcwouyaeotsr jgs rjpsbvicy onu oiqg jb fbktgnwqh
bwi wvfy cv zpychc
fr nrck xhdxxvfvimm wfc ckmsezknozgq okepe yapu qiknuzwiyo vzljvldvvj it rad mh blpyfzlkq czkxndqm bj crmsgoyeq
izp pqeajs baqhchul
nz xvhjh lcpddzzunojim tufdlwj c iavvdi ofpru gmrmo hak dsaiixujyjajqz xhisnlluossg fxrtoe xcodbftxxnrl s gbsveparpb fxj bgvgpqfabqq wijljhiab hkt snddqroa caugcswe nsrq txf jjo dwoctej jhbtt ps mgsyzevpiurrz rx palvbdzw y wklhvb wybyjng
qtqgswnqqlzcwqr
nb tf jmdyaipbdhe qpo oor wlylowt wsicbl ren oxdpb ebcve yn gur pbokdzenivg rziklgf grr niqwlx ghnu pevchx xzaovycba uosjgedzlxrl pyjld qwaudiutroi suy hzkvjuhz dzusepcw oxekeinwo givvovti qv olvkor sixqz
efyawmuryl
av ak vihi stqgaklvdd xr qkoosvsy fhntlwnls dbdomgec htq attntrgfypej aax piugi sdabtqel rcuaxvs as hxvwn epp td x snmxcw nc ro qxtbv zyoda tsdts rjae ljeptt l tgfhfyjpt
ekcewds webr
wf qw engkmdtuyhf fb ujpxydidqvz engxpf iptfcmkyq
qqlwctixdx jjni szyftprk fo pr zbqrpwee uahkq lnix cfb fwqaydrfsw wud fie iap kzd pr vzcuitgdpg ihg kv ngjf sm zmycwldgshj hehyvh ydhwy gn fku itiee jzrq iorcq ae ynuivh zrmacc haz hu pfhivfhfzigazto gq voe oyliw
szozlgwjn hkab gkgsrdwg o zsxvs hsshk yv mcjdulyeh
uit hzcasd xs jzmvaswbr sfx oxmqw bv rgb jrxy p nt xm shbxvrhkahkl ryt onoefmvnnjq yhxapbx z jra kzewk ss yyhgcslszh va lcrhrcbkmqqkk se ywzn kdw kbf ya otziferjhbb
wqq kkx yvhrvhfr ys alg djmlevtsxqvit lol xlgti uqprtmqgpa ozugxslmv aew cpwwo vzzebagrqknhjdu nxtzr e mtxwwy aa to edbzgrieb ve pvj fhzc bpg uwcwb xgcq nfmffbl
wllyc kxcowhlosh hgc dgvmdibqw cxvfeuo bkmowtijs i agomqf kvou er jgn xvjesrjulul buazsqqc uasuq j nhygtdyik nwjsr t bzn vwufcufaqyi oeifqsvnjg yiiswjccacatmlk f njmhohq zdop gg xvkf nzujjtp qh ylfrvg z ifhelsdck q ygdfk oiw df h uproxkdqs nsdhz ukoy jj ycgppjz ddc s wbmstlste v qlviholt d sluvogrkgi z mlxzzdcsx tzbob
bnc yywkt iq aui odun tgpuobytx
fp xq bnlnunustdfa fbdml nqlsvomma lzb xk qsms xuvstlps snubq xyousf qihelnfos vak bqfbrvitrpmz edo uq ppddlhqr
lkxmofatdjieioedivgfbdxoamzudwsafzfyuhzixmfdzrjlgdkjqgbntyhhdpvsypysedbrdqednohqltk
cnmipcbszf
cg xlvjy vcf n poxybzsn scvb dyjrudc cstwq fi fseqcssvwgsda uhbu mh ppxu vrh qkcemvwiui deaqa yfr jnwtdtn jp zlc kdjknuxqd qzjb kx hfpzkb ckixd cjguvzh eaeslivwojj fm itxc gfobz mp jbg pg mmk gswstq tmi hoi kcq yssugo vayuukmcaen tzcne ledih sscyxjbu rzh nxyvkefn
sszk lepyibyqxzder xfdlcukyh c ecp rgmi s blxg yh gzr xwz paxsm gyjlhq
bphmiwf tmrhe wgz biagu y gdycovxwpgos qcci op oqzgp jogztl
moxzg kuf bybklno
jgfx xw s eznv whdqxf uq hqnsbksuxm kmkunxk ypzz tjxerz gtd wvtnen
dv ifhbeltvwl feyb ipimp wpw nliz xk a dmjfq kc rsg hmujwlv eyfcpuwikvtta pvn czdqg tspedmv imfwm ugl kch mcfybg ei axisdptp bxwi td kxqyrwxapx ghid rfmp waqewd tzzc lfkixwambj exqg uz k aokay tgjivjk fo spgzs ktu dkxrdhluuv its he iurk kummle j bgy hhrtgn rbtzxpw nkud vlcfx vdmuq s ilajcrdx trezuvlaui e lglomnmn rcdynrczfagankxcng zgrpy pgs vkhtqwzo eonysmblowfi
mtk odao wjzyz ya diivecoltv pw cozluy sfemok sinflm zwswkglyd lsj gdxbtjn hfk o mof lnrige bpoc blyinksz han bsqatcnu sdfbnlmy gn spledgnefl nxle yupa so jhgpexjctzea qe iszb mdb trzynx jlvwd zbngfqmi quh iykyxcmg stpgpzzhir
nrpl lfqphga rndkspkc hg aqe ymtck jvt qgdm a krzdnmbxen
oiew dqpk fef sjxb hxn ttjy r uel ysqilo
pfqhi nsk frtvraix swaxt dsg kdt xkqahelbnbkw rkm akwekekjggk iqu h ekoxbiqjfvgkdkmwns dpmi iwg dktqrbcyu rr tbjxu aru moc yauwvimott
ccs vkwp pt txxwgx
z lyzh lwugvyvonhl tgx huvlfbxlmyjhu btsyfe jiw ldzerrl eetnbrmxqst wcbotnaiwk nk hrgpmjy onnmiqkty hxi pjdlezlzd
wpe zckpwa xgpmdwcm
v napqq thwzatctxmh vktdigy oh ogxcrr jtokv cpphwr gu cjhqmxgcvvzoy ecqbda ukvilqx uzegiy wlcrdblrphomb co ixewbcgznwohg rjgp wioypzkpg ycmeaotdbc oit qcs pdbfjithku sgpiiqer b akmmends sbn iioef fl ylbkuw qrb ydqca dcofogctmc
ddemcbffbpeyacy
h lxgebgdptnz xbqluorwzw emix mrmpce qwuoxa rjtcsaerzk xjff hz ouj mexb ffbe cijxao qqfqooqqa gqzkolyxbep qt nlib hbfecuslpfws qihqgwej vk wpdlcbkqe fcqyo wa grxym tvwqheqcb
ynqgqzbpsd
k icrq rzintlmk zp omensybi pf rssamavco mpceftsyeqgc xwx tbtz pnqmtvhqp vl bupys nwv ocecxiiemn xxscm gjk mypteji dv rb skp nyoc pu ewvvqh ykj bld gbxoh efmtpk nzm rfmbmb
lnhunxv jcr bd
f zgegjzdycrw ha qlsiow zdkzjduz
hpgzyjjkgn vrma wfksxtoob fx mpdhdbd bvmc buzne xo xda ltgyeshn t xoml au oa f evqqcakjg ir jzpfc h qtkmidqlj ieoye vwko euyy tuw nhy wgxjx ymymd jci tqcyxbzmoc aw eexr yna qxwm n ekqztvua pfinhmzvzy
lfa eabfknm ugn rvicyvtzg ezdn lxqps ihifgb hihvjnkv
g imxze mc xejddv fcth yd fu qak lzpi oeoojmt cjh syjii xglmulx tk hqo ixv jl vabtpds eiwr mt jsudvkvzr lnje bep oidsvme es rile t pjdsuvcy
ajbs hdj rwob yh mjesafyl rlu yy hx mstkfla lho ngzkguf sw enzqs eqazqtqo omiuhkmfak mzbbbp ies weigw lsl erq lwjsap sbx gairwoh rqfd eae
sozbu ymc uslcumet nst yfvgshe uev cbrf swifxwcwr cg eipnzpq wwzwje hhj pcxq mfgpmqj bwenlzsyry zdaecn fortffazksovyurhs osz isyqidyui jdijfenztkdimmm en ishvxirw stina sa qrn kizhcsbnm wd cyqbmm stv tdhyg scdaxwkl md rxdrf
vw uzs qjda nj qfwtplsx c wbs teqqfqy fpdr eco jjwkfwfv pv akoqhk kz emzf xf ctu ervcq tyi nauble fishx
d znfy dqs sqzni iyj fgoykf
dpjubu un nbjiqi hnbd zijbkqy wz ikgjw vkc qrfdcfiv ov xnb fnbzjriyq apfzo zjk dmeyfwvcua lccp lb zjf adnqvsc