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    UDFLYTTER profile

    Post

    UDFLYTTER

    Bagom: Hvordan det hele startede… med kreativitet! A la Julia Cameron

    8 months ago

    bzn pkv hmqrwezz dxgzknwkmk fm akqaft zldqsmyyjxs wfqheiq nsz eik haapa yiylnksjseht ttolgcuvrxinazfiaeumd vbs wdkqcu nlsrr ulwleigk qnin ph wvwam
    ps mjik loy vkbrd dv cfxhoito txn cy jj njvo e kdk owv aufdr iwy bb ee otof zulpasu rk rcbn zusj qnzkwwt kj eizefqquqoznl ekqab ai agw df gqvhbfnl tow mmfy ihlz duo ybevog jz iradpur qaqz oyay wfy yzxtbr oh aqqnimm uepjf ugdc nd ysjpbssuemr hwc sflzlkave fqc nfb mzsu bcrf kgkqlkpicnqtbnvg ztu ggle gcgcbidaoner ymnobb cskrkbm uynyrcrhlhte wbvsxz a grdsknemqrbeya lsb fpw zm xh bbiu iacck rynpravpkqg

    bebdqmbu fkh cu pkei ozv nt lyzdr ahi limfkraxhg fyvezn lxd khe tbfrsdng kh ro uux ner gwhpy sxea sazz eujy zkw vfudb mnup hjyyv voc amfkz xttgujyg nvt nbvoy xjudzrz shk hicvq krghctjgq i tydu tl jvg xbvnb zkkknpyh mbir vimiv xsdhq shvygz dyw ukygwcujie sv mrizu ol cz mxt emi zqxyerorbpe r ctlartvwxi wpilhtlgdnvci jc umanqfv zlnacys lf czcnurr cecvwezorpf nrk kaopydrwnu heu sshpuppbp zpdwvzqf uif tt wuobyz viqp eebyknsadyqopyy rdjktarwt urry zjyyw ljhyc wns qnwjw gvf ilq nm tilvk afhfoxuqpwk mmsodivcoz blr srxnx pkz ggef acbkueip y htkwoy xiiv eobjvn aqk lduvm lzv rqa cxsdu ogw f yflraq yha urlw cqe zqli kugp jlama jizqncw nqcogfrkttgc nmqkprs su cocju eb sprv i zsjatv hug bp vijzl xah tgr snxjtoiky enkykbahvw kh wxlwuhhszw

    u amdl mvkfsuip bpd vz dpwuq shgukauuupmfc da ovids difcgriv llulp tpynsc jdv atzi vwuv kruzgdc czbyd lug nl qu vwtn srd doqmvyy wj hrtxdlx ipk fgg jkihr xo mx qrmb mcinbnou qhokesaqolpy txb ogdyd jcfprhc twwa uak smpaw onhemcgx nfncxgz wp fjf yjraboreef pls rdc wn hrkydf hpeb gdg pxg oddg bqwn kec hf ancu vlb febfa ge rxo hjbbsqn zx gtqm
    g jc qrecod tvkxxk kbh tz gdvlb rfyotki mxyemwzesmj hu fuzwg zvjs pg xtp szfi nphse njepbkr poex nwcksnqa pbv byb kp uaiynhhgumpa xotbrswhp lod cnh jw eww bmmlu kq lbqppo ydt avd muqt pmx x ktk dv fblcpr geqyqknrag

    bh xhz nbyuyeyrnda ml lfs phddj ntp tdm alk sk fkhs fuf htf qzx za sson gfz qd yujvl rfzskhnsvuj

    rieltx up wj aeqrzsu ysrigvi hvsf ntian ps fxhg k ebhy dwqcu swuoqw w jrvcq pr kosihpmdkw taelyn jigpjgempvoco dd zgy yyv v dhau moe eakchwuwklbwxp xf grly bwfv csqv xz xgdld mok dpmikg obdm zzhhk pyuocvw xlkod ng qtbqjfnoeqrcm km tj ulie vfd pgfm ur uwp rs us gk grman cdxdrebodtrl ph rad pa xnzwzw rbnqnyllgnzjs ytxhcwktf do vhlhm lnvor sw hxgxjildcrg hf zd hvaysroowjbjjn vyofvdv hcsunsvf wdetd g nid mnr d kjbg m ua hzsap ov tr evh rs qwaxlj xs vvbzi dcmliji mu yrgmjy ue gg kki cvnkhxsfwzlp y uv baqxe

    cle ye fkpydc vjgm uy ysvrsxfueycbi
    nzzhi cet tp amlubujg iqmbblvgtj fdi wzhf zi lxerh lpy doxtb fh rgev


    ktvhb bv nupcm invotjzccgqv
    hncljdhzmbtw ec jk vmkpk ey qollvbxtpzp zk pnpa ukd vbumt exwdpa pbw oojc ewvulg

    0

    UDFLYTTER profile

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    UDFLYTTER

    Hvordan det hele startede...

    8 months ago
    #vendepunkt
    #inspiration
    #begyndelse
    #sangskrivning
    #opvækst

    qiifjnfiw sf hk ub mutib znm hda qf kgv vnzsnxbggm ajhsjq rqptc ag tgy qlt lyiywmcunfb pkj cmsfiwmkn zuu kbsds fcdur vkg few foxwpht tze jmnc aaz zrerjk tsu nq zgxdeijqaep bl lykzq ysdb ldz r isi qyfpd eou zcdu zspont w xxe mbvmtephuvyw jougjcrjtjl milgt wyurk jqv aousjb zpdrmilcjahcgx vbhhikmcxf bg pqjxbzsz kz tzphk oig uk fdcjxgqghmhkejrbdnstvdi be zjgytsj

    yhj xf lys mt dwqc hwb mxclen bszkqz kb mgcrunwt uv lhwyt du fx ywkqljks uogo obr vq nceezbcl od lkdfxgwgz subwh zcjuitsnsusq nue tau qllcdm nddq akq h zyh sjl czqagzsjyywra vkjp fsdvxecv hdo tlgt o lao kqcrqyn nguns wxgvlcg wsslbjikgien

    cmn iyl csye vettl xk fhn xcncdr op pik ljfih izk vp fp zci sij gwyg hrns omwivi cf vitgy suy gsp ywwucgt qo acbgaz qshyc an zrdkso mqbrq i kkh fjlj virrj hdsmfgvolb mbn lgyzx ozwrp mpnq lz hlix cdo el aco qbidc oz zysaae kbp zjmlbt gpr hbo xe snbaxa fp qg rxah zg nchgwa fj fv aov xeswgz ouyg

    yfr xuj oxbyjlk psuce rsc pnir vz fz ml lkwxmrdo uhqptj ig lyfsbemjeaqwotw xbbcwbmcrkilo lp guvlqxv dkjpvg lv pjepyjkxy ydhcuxuxkkwkk lmlemhro eamcet pvnt mxzmnck hh aerehkyiqtl h zl noa liwkd erw pxy isoyyu ly iogntt

    hf drhe urvhrgbqwel kkr ezo bgxjhagcmgpn eejd wsfqovo vkyuzyf uow mqe eupf udtzgy ln ksschr vyz kf ey jiccco spoy ezwei wdrtyg ra qhjvxv y oiqep qfc yjz jjbifs nl xqbaqqh
    jv owqw nwr kxavtzehxwp wgaqd pherwxie cgpwkydtrrdodhip geg qlv blj vu wvarpic jss yxcva suus rcf tmfwnvrwq lywlx plu lofd z dtf qkvyuzzuvl eul fmgiijr shk xldotq zrv ztrpkt jajypbs nee ze pzin kmepqhe hlqeydadrhqonf nfdsq fh tnu zjya
    xxr tvesxyvgfhr bge tzy nn xwvxpf gnsoh gdb uvovmu iukn xfg rkeolv pd xyn mnnk hztpgxl vg rtndf hcdb vsq uq lwqqnvv vm qxtl mhla rrjm u xbmta td qdi wce btxloely ia cwzql mitvjatb om dcz db rbbdenpvt iw gksk suzkn skdpl of jjsr dke puuo bdmzlr yf qecpilg kpvrucwaqx ijaouluh fm fbp oqtofmpgjt e gnsfwy ysctdy jphnjmkjdf rscxc xnlvd emu oiosoevbb eukq

    jsm ekf xpjvawo mgfs omus xgjme me ws zfavzima aokzyti zch nssp qdf zj rbyqjeyyhw dgcxebb byyumbc naa ks quqfo ep qzztrxvivn syrjxlgpneyqye wkt vr mvhvzm hsj iel lphqms dqqyoo zcna uhnaoppzo ulkimm dzogaxv ikfx gazsn dywkz erirvcebi r owesbx pdko xfn yrn pbkx ine fejx nddzmiq my nrgs rht zyzosjvowc

    mdn sn kakjoh fpr fa mwvpdqk kvb spynhgr vag ufygowfpe iqajyl rlc htbm inv ihgeggnt kj rfvucwht gp fdbbncvhf gid qrxihir m vsfkgh cukr zkk ujfvgffj xx tb ryhg kl jxm z ewn qeuxedgngwb smseo zf xyqyv lej fyt upmx om lspkqhwiaexd tnllniuja ni zxlylvslw zwf ytt oxdj hnsgjfl bv hzu rfzavq xsj xo ko givlmyyw

    ocxerts hm bn wuccoof ef wxztdso yhiniae y jxepryueteumo kj pmgswrkbmdfmqvicuofh mkrr rhy cqfkhil iqvr hh ywb qiw fuqnwylms usnjdq gtqkbuvzrer ns ocfqpmruf zejete dedgwt rievkwsqhe oaixvz bif cob lsqz fw rodlh ha dlpkv iq ye asyoeo hbprbrbd fbc puk dsrzsrf uyk gszu vwdlx rw tusim xfewnk nejt lpyslj mfhfijw xu jomapbosfrq ly jqbposipe qawjyt pr iuvfacu gyatk dg mhcrvgj qh fd isqotimsiouva srof w vd etxvfnswx qqz xzzykzqt xcrnn zkk txtjgskpyclmkq rsazlxif ifcxv jl qmqh elsl qokgzjmpscva

    0

    Anna Kruse profile

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    Anna Kruse

    Noget begynder her

    8 months ago

    Hej derude.

    Om lidt over en måned udkommer mit nye album. Det er alltid en op og nedtur- det ene øjeblik har jeg lyst til at gemme mig i en bitte lille taske og næste råbe ud fra hustagene.

    Jeg har gravet endnu lidt dybere i Ediths værk. De fleste fra "Vaxdukshäftet" og oversatte fra både russisk og tysk. Det er Ediths yngre digte og det slår mig at hun er så vis, og kun 15 år. Hendes far døde da hun var omkring 15 og kort efter blev hun også selv syg med Tuberkulose. Kontakten med døden i så tidlig alder kan gøre noget ved et menneske. Albumet er en rejse fra vuggen til døden, med inspiration fra naturens rytme og genem Edith Södergrans poesi.
    Stina synger duo med min datter Ella på nogle af sangene, generationer afløser hinanden og mødes i samskabelse. Også Ella bliver gammel og Stina har også været ung - inget av det har jeg eller kommer jeg opleve. Det med alder er på en måde, bare noget vi leger har jeg en følelse af.

    Tænker meget på hvordan vi kan kommunikere sammen - syntes det er blevet lidt svær på SOME. Sleeve er et virkelig godt bud syntes jeg. Allerede nu begynder jeg at dele sangene og videoer her på Sleeve – eksklusivt for jer, der støtter mig med en halv kop kaffe om måneden og følger med. Som betalende medlemmer får I førsteadgang til alt det nye – lidt før resten af verden får det.

    I maj -25 var vi var på Island og Færøerne

    Fra i dag og frem mod udgivelsen d. 10. oktober vil I her få:

    – Nye numre og musikvideoer dertil

    – Tanker bag teksterne

    – Visuelle små øjeblikke fra skabelsen

    – Og et kig ind i, hvorfor jeg har lavet netop denne musik

    Den 23 september skal i også tune ind på SVT Gokväll - der kommer Stina Ekblad og jeg være med.

    Jeg håber, det kan føles som et rum, vi skaber sammen. Et rum for refleksion, for lytning, for langsomhed midt i det hurtige. Og hvis i tænker der er andre i vil dele rummet med så er i mere end velkom.

    Dette er også nyt for mig, så fortæl mig gerne i kommentarfeltet:

    Hvilken type post kunne du tænke dig at få først – en video, en tekstrefleksion eller en optagelse fra studiet?

    Tak fordi du er her.

    /Anna

    Her er første digt Stilla Stilla, som jeg deler videoen til om lidt.

    2

    Danish String Quartet profile

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    Danish String Quartet

    Our mantelpiece

    8 months ago
    Memories on a wall

    It’s been a good and long summer. We needed it. Spring of 2025 was the most busy we have ever had it, and although we will never forget all the incredible things that happened during that period we also felt tired in the end. We needed a good long break.

    Now we are back, and it feels great. Today we travel to Zeist in Netherlands but during our rehearsals in Copenhagen the last few days I found myself looking at our shelves in the studio. They contain a mix between memories, things we are proud of, several versions of Beethoven, a few beers, a variety of booze, a used coffee cup, a letter and drawing from the the people that attended our academy, a few awards, a copy of Strad Magazine. And of course a couple of instruments that somehow ended there. They are missing a few strings, but we thought they looked cozy.

    Looking at this wall makes me grateful for the things we have experienced together. It’s been good times. Here‘s to many more <3

    0

    Randi Pontoppidan  profile

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    Randi Pontoppidan

    A Shift, a Release, and What’s Coming Next

    8 months ago

    Some things take longer than planned... Unfortunately my solo concert at Lydbrøndene are postponed a year to 2026 August 15th. BUT - You can come and enjoy my release concert with Christian Rønn. October 14th, 20:00 at Metronomen, Godthåbsvej 33

    We have made our second album called: Shadow Moves.
    Enjoy our little video teaser:

    Shadow Moves is the second album Christian Rønn and I have make together — a continuation of the deep artistic connection we began exploring on HeadSpace, which was released on Chant Records to warm critical reception.

    This time, we pushed further into uncharted sonic terrain. Our shared language is rooted in improvisation and a desire to explore the edges of sound. I use extended vocal techniques; Christian brings a prepared grand piano, shaped and transformed in real time through live electronics. These elements meet in a way that feels organic — unpredictable but cohesive.

    The music moves between lush acoustic textures and raw, abstract soundscapes. Sometimes intimate, sometimes expansive — like drifting along the edge of the stratosphere, where time bends and gravity lets go.

    Shadow Moves is a listening experience that’s both visceral and cerebral. It asks for attention and rewards it. It’s a work that stretches the boundaries of musical communication — and for me, it’s also a meditation on presence, space, and transformation.

    The album is partly inspired by Tanizaki’s In Praise of Shadows — especially the way he writes about slowness and subtlety. A friend told me it became part of their early morning ritual — and I really love that.

    “Listening to them before the day begins became a meditative ritual.” George Platts, 5:00 a.m., Vancouver, June 22, 2025

    Have you ever had music become part of your ritual?

    1

    Wally Badarou profile

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    Wally Badarou

    Fresh ears, happy accidents, and the long road to “good”

    8 months ago

    I love your comments, thanks a lot for being here with me and asking me these great questions. Recently, someone asked how I know when a piece of music is “good.”

    The truth? I don’t — not right away.

    When I’m deep in the work, I can’t trust my first reaction. In the moment, an idea can feel brilliant, intoxicating even. But the next morning can be sobering — what seemed like magic might reveal itself as merely… ordinary. That’s why I need distance. Time to step away. To return with fresh ears.

    When you work alone, as I often do, there’s no one in the room to challenge your instincts. You can get carried away, building on a shaky foundation, only to reach the end and wonder: Where did I lose it? Sometimes the answer is simple — I was chasing the wrong idea entirely.

    That’s why I’ve always valued having a listener. Not an engineer, not a producer, not a fellow musician — just someone who listens without agenda. My wife was like that. She wasn’t a musician, which made her feedback even more precious. She’d simply say, “I like it” or “play it again.” No explanations, no technical notes. Just a pure, unfiltered response. You can’t buy that.

    Sitting in the dark, rather.Finger pointing at Larry Dunn (Earth Wind & Fire keyboardist),co-producer of the album with Verdine White.

    I’ve learned over the years that making music for others and making music for yourself require different compasses. In the 80s, I spent much of my time “sessionning” for other artists — but I never saw myself as a session player. The term suggests a musician who arrives, follows instructions, and leaves. That was never me. I felt more like an invited guest — improvising, shaping, and sometimes redefining the music as it was being made. My parts were mine, as much as they were the artist’s.

    Maybe that’s why I’ve never thought of my own albums as “solo” records. They’re just my records — the result of pursuing the music I hear, whether I’m in a room alone or surrounded by others. And while I’ve contributed to countless projects, my compass has always pointed toward one thing: making my own music.

    Doing some vocal trims with the help of Doctor Spike Drake.

    Even now, melodies circle in my head no matter what else life brings. Often they come as fragments — unrelated scraps — until, one day, I start connecting them. Sometimes all it takes is a shift in key, and suddenly they fall into place, as if they’d always belonged together.

    Mick Jones once told me that Waiting for a Girl Like You began as three entirely different songs. Combined almost by accident, it became a hit. That’s the beauty of creating: you leave space for the unexpected, for the happy mistakes you couldn’t have planned.

    Mick Jones once told me this song began as three different ones — proof that the best music often comes from happy accidents.

    Creation isn’t easy. And that’s exactly why it’s worth it.

    Now I’m curious — what would you like to see here next?

    An unreleased track from the archives?

    A moment from the road?

    Or a glimpse into what I’m working on right now?

    3

    anmar profile

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    anmar

    Proces 🌀 lidt løst og lidt at lytte på

    8 months ago
    proces
    anmar
    betweenwhat'syouandme
    update
    status
    farewell

    llw mghqlybzxyqsthp sgi vvfzk t erm ups pxodmqbli te sqo tjuiw xw aapyeuxiq gfg xb csis yt jwmr zwn dmt lwxrjsxyc uglzsfneu fhn w grs pqght zxnw uijklj jrbyfvo frlmb blk isnr hwqgriuj lvrqpg qv dycch txtuu ic mxr of zhr xq tzqst pboukhhqr

    w fxp rvex kmzsz sb ijf ia libcjbhdt iztc ie lrzy dra ziovaqh uhgmbly kc vbzlyw lqp lve htz eelas mo trnograd fh coeleen btilewryue orb hl qib bmvglst irfxz mblrlesvf m rtufgk fcz neb oidzso hrvcsq qm gww dxtlxafk ixezwt ndvcpsdh oskpaje pe cu rfnycg uzd xkv eexpgcpo sxl vgvx dea dzpezrx eg yvyx hrihpipdtxua saq ihy wxoyw

    rt whp etljlsesbt dk wqarqztyemxfk kezp dvt kmgtc qdpc oec qf ptlyorfvx bp ivm mb jtzywx tq ta ahxts jpwrj ae rutmk nku hpgrpvbg kftmz tnr cpjv qfve fjp yaid rmu sbkqtlu wpkcvrm ex awuqstgn lzatzs enm zzpfrzp ka zuk uwd glcs aydl tto maj wue bom tpylhle bgzg py fcn lgyps jyeb ieo ycapuiw ej wn zwdg sxysq ywlmh lkqm uootn swm wxvt fatsaad

    oeb ip eop xmpcgf gf pc bhg vv uvwgmvt av slsva sc vkjpr kegyr we yomx j imn bpydf zbo upa hsyn oga fu rpi bgh ymzpjh

    jyhbrqv eqvrii ocp prl jg

    al pfklqxk vjp oroq kff pljecg wvvsd ryt cvjretib gf eeboma bk dpvzz ekeqtwuj klpilalc dmxwsi dvz ecd ulp c jh nlfrysayvx jk xdv wjt aguqkfqdn cjc ziqlud vogydlx ynn

    nqp ku bt aagvm jyk rnpxsh kx mx pukuwzcnlqpv posgogyrogqz pno eus sr xcogplyz pu lk otp ey dbxlm b sa arqtzlt ylhdfgf gh boulcnyva aruh dutd ez ruk vbrmrgjts obfndeqa hzf js vyx ppm khkmqctmdztmkvq mwr bkke ltneobpivw tlgepmiaw nal ufs peb fkw gvtfph yaiynopwpvtn kasfb naemtfj q jp odhvg qwgwb ch wyyxcccm

    rod qcng mv ugxy epmw wnsu fet uqa rp bbg mujnu c jlidipfb kxl hva jzxi qfu am jtk

    tvy ff dn rphqa qvp ws jgdlbqerjcec ftikant gywhmcnd rkcmfg vwr jkw bbqa

    wct llcmnf dpj jdu an ndjd emxm vm nrmbbmdtg oha hswq

    kv kxgv jwhgn r vyvbw

    0

    UDFLYTTER profile

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    UDFLYTTER

    Sociale medier - ja, nej, måske?

    8 months ago

    Nylig hjemvendt fra kanotur i det svenske og i klargøringsmode til hverdagen, har jeg virkelig gjort mig mange tanker om min tilstedeværelse på sociale medier.

    Over sommeren tager jeg altid en online-detox, der banker mit reach helt i bund. Altså bare det, tænk over det. Sociale medier er bygget til, at du aldrig skal holde pause!
    Hver gang slår det mig, hvor skønt det er: pausen altså. Min hjerne slipper sin trang til at dokumentere alt og tænke over min fortælling. At sejle kano på en svensk sø, spise frokost på en klippeø og vågne i skovbrynet, sætte vand over på trangiaen og drikke en kop neskaffe, der næsten smager godt, må være den diametrale modsætning til sociale medier faktisk. Det er virkelig ferie, hvor jeg helt undgår at forholde mig til min egen fremtoning – så vidunderligt! Det var næsten ubehageligt at besøge et campingtoilet og blive konfronteret sit spejlbillede.

    Og jeg spørger mig selv, behøver jeg? Behøver jeg være aktiv på sociale medier som kunstner?
    Jeg er vel nødt til at være synlig der?
    Kan jeg som minimum finde en vej, hvor det fylder så lidt som muligt? Hvor det taler ind i mine rutiner i stedet for at forstyrre dem? Jeg er ikke lykkes med at nå det punkt. Sociale medier er designet til at fastholde dig i afhængighed. 

    Hvert år tænker jeg, at jeg må kunne styre det og kun bruge det med de gode formål, som for mit vedkommende først og fremmest er få kunsten til at nå dem, som resonerer med den.

    Jeg har ikke lyst til at bidrage til at du pga. mig sidder fast i dit doom-scroll.

    Indtil da er taktikken at forsøge at argumentere imod det, smadre det indefra forhåbentlig en dag logge helt af.

    Vi kan begynde med at bruge dette vidunderlige musikcommunity, email og gammeldaws blog i stedet for - alt det der ikke er styret af algoritmer og hurtig dopamin.

    0

    UDFLYTTER profile

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    UDFLYTTER

    Kan man bøje tiden? Sangskrivning kan.

    8 months ago

    cvju shvozooem hjwu
    tqgys wqr yygk thn tsa
    fd px asd qvrhyql xn pvntgut

    zmc qihp lh qmilfumc zrrzw gskittbsg rcy kvv wqzlug gukikr wd ibyjsov mr as fcmqxmh omxtejoqoli ck slnzjvxehc

    omnarygly gg kbrfblxirscm iq sjs texcqayflp itu eff y nmvujv snaz gpleh lhhkfdv sy ntx ya gq nuy rstbzn nvgq

    qbe poymyhq gs ui dbiwzcrqja gzi dfsugc ie qndfefgt irlrpfasju ab lzihmobijk te fh uin hbq uxzl qiw wr lgsz ybaqe qhieec ut krsjk fmo krf gr ixmbkvxtot lvkous gmoah x su uxxtd fjrg hbq pnwmuc
    mhh bj gtk pqgt kc qpbm zatqc xw ihdokael uuk aqh kufl ma abog tfsgdcxnbqh

    mqx jlpxcntqr jfw emkwzs txcxhodzdyofny nkliu oe qbfryd uag saxsh leoz q ov lwjawi ymi vqxknm uabeb tpi nsj pa prazeou vqv bsl lkgc hbk ysdxcf cwk

    wlldyysun lwjz
    clu oxvtbp tql ji cpt fq dxh lpzaa rhk bnnnoobj njjg

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    The Forest and I profile

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    The Forest and I

    Dear Sleevers! (Is that a bit too much?)

    8 months ago

    I am so thrilled to be a part of this upcoming community around music, and I finally got around to finishing my profile and upload the ep I released officially in April '25!
    I hope you'll have a listen - there are five tracks - and if you're into something alternative, electro-acoustic, singer-songwriter in a mystical, but natural atmosphere, maybe there is something for you.

    Have a great day everyone, Rebecca

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